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Piggy in the middle of film makers trying to make a living. Piggy is written and directed by Kieron Hawkes. It stars Martin Compston, Josh Herdman, Neil Maskell, Louise Dylan and Paul Anderson. Music is by Bill Ryder-Jones and cinematography by James Friend When his brother is killed by thugs, Joe (Compston) is persuaded to mete out vengeance by his brother's friend, Piggy (Anderson). Piggy, not exactly a great title really, is a good film, it really is. That is if one can skip back nearly 20 years and embrace the idea at its core all over again. We see it a lot these days, good films from the independent side of cinema shot down in flames by critics, both professional and amateur, because there is no originality on show. And even when a new twist is added to a staple genre, it stands no chance of gaining a weighty amount of critical support. Piggy is far from flawless, I would be surprised if writer and director Kieron Hawkes was on record as saying that is the case. It's a film that will always suffer by comparison to a couple of huge critical darling movies that came out of America and the UK previously. I will not mention them, because that pretty much spoils the core of Piggy, something so many amateur reviewers and message board posters fail to grasp. But I grumpily digress... Piggy is a violent picture, much like its lead protagonist in fact, but in amongst the blood and bone crunching, there's smart narrative splinters about alienation, fear of society, fear of violence and yes! Fear of finding the dark half of yourself taking over. So nothing new there of course, especially in British cinema during the gritty realism wave that has become something of a forte in my lifetime. But they are there and shows the film to have more to offer than merely being yet another London based stabathon. Cast are good, with Compston once again proving to be a very under rated actor capable of really tuning into the art of under playing a role with confusion and sincerity of conflicting emotions. Anderson is scary as the title character, if a touch too cartoonish, while Maskell shows no signs of wanting to break free of the hard-man typecasting that now defines his career. Friend's cinematography is sometimes guilty of being too murky, and the "metallic" colour lenses favoured on occasions are a mistake since it's not a sci-fi or neo-noir movie. Yet for all its inherent flaws and rawness, and the fact it owes its very being to other more lauded productions, Piggy should not be discounted as being a viable British slice of grit. The blood hounds are catered for, and those with a bent for the tints of emotionally damaged characters should definitely consider viewing this. It deserves better than its current internet rating and Kieron Hawkes, clearly a work in progress, might just be someone for British film fans to keep an eye on. 7/10
A former drug lord returns from prison determined to wipe out all his competition and distribute the profits of his operations to New York's poor and lower classes in this stylish and ultra violent modern twist on Robin Hood.
Dr. Feinstone has everything, a beautiful wife and a successful career in dentistry; but when he discovers his wife's affair, he realizes that behind every clean, white surface lies the stench of decay.
Mason Storm, a 'go it alone' cop, is gunned down at home. The intruders kill his wife, and think they've killed both Mason and his son too. Mason is secretly taken to a hospital where he spends several years in a coma. His son meanwhile is growing up thinking his father is dead. When Mason wakes up, everyone is in danger - himself, his son, his best friend, his nurse - but most of all those who arranged for his death
Attractive Manhattanite Allison Jones has it all: a handsome beau, a rent-controlled apartment, and a promising career as a fashion designer. When boyfriend Sam proves unfaithful, Allison strikes out on her own but must use the classifieds to seek out a roommate in order to keep her spacious digs.
For centuries, a secret Order of priests has existed within the Church. A renegade priest, Father Alex Bernier, is sent to Rome to investigate the mysterious death of one of the Order's most revered members. Following a series of strangely similar killings, Bernier launches an investigation that forces him to confront unimaginable evil.
Forrest Taft is an environmental agent who works for the Aegis Oil Company in Alaska. Aegis Oil's corrupt CEO is the kind of person who doesn't care whether or not oil spills into the ocean or onto the land—just as long as it's making money for him.
Four sons of well-known New York mobsters must retrieve a bag of cash from a small Montana town ruled by a corrupt sheriff.
Four beautiful rivals at an invitation-only martial-arts tournament join forces against a sinister threat. Princess Kasumi is an aristocratic warrior trained by martial-arts masters. Tina Armstrong is a wrestling superstar. Helena Douglas is an athlete with a tragic past. Christie Allen earns her keep as a thief and an assassin-for-hire.
U.S. Marshall John Kruger erases the identities of people enrolled in the Witness Protection Program. His current assignment is to protect Lee Cullen, who's uncovered evidence that the weapons manufacturer she works for has been selling to terrorist groups. When Kruger discovers that there's a corrupt agent within the program, he must guard his own life while trying to protect Lee's.
While doing a thesis about violence, Ángela finds a snuff video where a girl is tortured to death. Soon she discovers that the girl was a former student at her college...
Llewelyn Moss stumbles upon dead bodies, $2 million and a hoard of heroin in a Texas desert, but methodical killer Anton Chigurh comes looking for it, with local sheriff Ed Tom Bell hot on his trail. The roles of prey and predator blur as the violent pursuit of money and justice collide.