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Though it does sort of get going in the last twenty minutes or so, the rest of this is a really slow family discord drama that features hardly any ghosts but is more of a finding herself exercise for "Phoebe" (McKenna Grace) that involves her coming to terms with psuedo-father "Gary" (Paul Rudd) and relating to her very own chess-playing version of "Moaning Myrtle" - only this one's called "Melody" (Emily Alyn Lind). When we do actually focus on things mystic, the story revolves around a brass sphere that is covered with ancient hieroglyphics. This comes into the possession of 'Stantz" (Dan Aykroyd) who takes it to the team for further investigation. Needless to say, that causes quite a bit of mayhem whilst, meantime, the mayor (William Atherton) is after the "Ghostbusters" for causing expensive havoc every time they trap a ghost. That contretemps will question the very existence of their firehouse operation and of their ongoing mission to boldy go... Anyway, as the plot lurches along we get the odd opportunity to see some proton packs in action; the old car gets put through it's paces and the original "Bibendum" ghosts get an outing or two, too, as a sort of bellwether for impending doom. That impending doom is all delivered, frostily, too little and too late to rescue this entirely derivative two hours from the cinema doldrums. The original cast - Bill Murray, Ernie Hudson, Annie Potts and Aykroyd really need to stop appearing to legitimise these sequels - they are not patch on the original and really do smell, strongly, of flogging the dead horse. I would recommend a cinema viewing, though - at least that makes the most of the visuals. This will look distinctly mediocre on the television.
FULL SPOILER-FREE REVIEW @ https://talkingfilms.net/ghostbusters-frozen-empire-review-a-step-back-that-still-holds-enough-entertainment/ "GHOSTBUSTERS: FROZEN EMPIRE falls short of its predecessor, but the members of the classic and new cast inject enough energy, charm, and emotion to compensate for the narrative inconsistencies and pacing issues. Mckenna Grace's remarkable performance carries the film, but putting all the narrative, thematic, and emotional weight on a single character generates inevitable problems. It's unlikely to become the favorite installment for fans of the franchise, but it's still an adventure with enough entertainment to satisfy families around the world." Rating: B-
Whilst not as awful as its 2016 counterpart, the latest instalment in the Ghost Busters franchise, is hardly noteworthy either. Frozen Empire tries, in vain, to recapture the vibe of the first film from 1984. There's an earnest effort to re-establish the off the wall, goofiness of the original. Even bringing in old cast members to help things along. Sadly the wry wit and humour that defined the old flick, not to mention the remarkably deep characterisations, is largely absent. What you are left with is empty mimicry that's none too inspiring, backed by a story and action that's not awful but really feels like its going through the motions. On the subject of the story, I will give kudos to the fact it is, at least, a little original and imaginative. Regrettably whilst this film is superficially watchable its also instantly forgettable, having none of the blockbuster potential found in the first film, way back when. That said and again, in fairness, society has moved on from Ghostbusters. Its unsophisticated by modern standards and is never going to be the kind of hit it was in simpler, cinematic times. I think the final question then, is why keep trying? Is Hollywood really so bereft of new ideas, that reinventing the past is all it can aspire to? In summary, tries to wring the last drop out of a well worn and frankly, worn out franchise, that's long since, had its day. Superficially watchable but also readily forgettable.
I have seen both amazing and terrible Ghostbusters films in my lifetime, and this one falls somewhere in the middle. It doesn't reach the heights of the original, nor does it plummet to the lows of the less successful installments. I would rank this film slightly below Ghostbusters II. While it’s fun, it suffers from a messy story and too many characters. The film's main issue lies in its sprawling narrative. With too many characters vying for attention, the story becomes a bit disjointed. For example, the original Ghostbusters worked so well because it focused on a tight-knit group of protagonists, allowing for rich character development and clear, coherent plot progression. In contrast, this film tries to juggle multiple subplots and character arcs, leading to a lack of focus. While the movie has its enjoyable moments, the story feels scattered. Key plot points are often rushed or underdeveloped, leaving the audience wanting more depth and cohesion. For instance, a subplot involving a new character’s backstory is introduced but never fully explored, making their motivations and actions feel superficial. This scattered approach detracts from the overall narrative impact. Despite these flaws, the film does have its charms. It’s a fun addition to the franchise and includes plenty of moments that fans will appreciate. The humor, special effects, and ghost-hunting sequences are all entertaining and Paul Rudd shines throughout. However, it lacks the nostalgic appeal of Ghostbusters II. The second film, despite its own flaws, managed to capture the magic and charm of the original. This new installment doesn’t quite evoke the same feelings. It feels more like a modern reboot than a continuation of the beloved series. For example, the nods to the original films are present but often feel more like fan service than integral parts of the story. While this latest Ghostbusters film is not without its faults, it is still a fun watch. It doesn’t quite capture the nostalgia or coherence of the earlier films, but it adds a new layer to the franchise that fans might enjoy catching on TV. It’s worth a watch for its entertainment value, even if it doesn’t fully live up to the legacy of its predecessors.
Miser Ebenezer Scrooge is awakened on Christmas Eve by spirits who reveal to him his own miserable existence, what opportunities he wasted in his youth, his current cruelties, and the dire fate that awaits him if he does not change his ways. Scrooge is faced with his own story of growing bitterness and meanness, and must decide what his own future will hold: death or redemption.
Shaina lives 600 years in the future. War, greed, prejudice, poverty, pollution, violence, loneliness, depression – these are things that she’s read about in history books. When an accident in a physics experiment sends her on a time-travel journey to our times, she assumes that everyone around her is honest, generous and caring, as she recruits the help that she needs to get back home.
In an apartment, a party is in full swing. Sitting on a sofa, Perez is hypnotized by a group of four girls facing him.
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip to the countryside to visit her aunt at their ancestral house. She invites her six friends, Prof, Melody, Mac, Fantasy, Kung Fu, and Sweet, to join her. The girls soon discover that there is more to the old house than meets the eye.
Leelee Sobieski is brash, abrasive and vulnerable as a teenage child of divorce who hides her pain behind a mask of hard-edged gothic rebellion. Albert Brooks plays a man who is her total opposite, a precise and well-ordered menswear store owner of forty-nine who manages limited expectations and protects lonely secrets with pleasant ritual and quiet, ironic reserve. These two total opposites collide in conflict then come together in a surprising alliance, changing each other's lives forever.
It's the end of the school year. The long-awaited moment of the holidays is arrive. The little Nicolas, her parents and Grandma take the road towards the sea, and settle in for some time at the Hotel Beau-Rivage.
The ghost of a murdered man haunts a police officer, while his squad mates deal with a serial killer.
A thirty-seven-year-old woman wakes up from a twenty-year coma and returns to the high school where she was once a popular cheerleader to finish her senior year and become prom queen.
For a long time, Natalie, an Australian architect living in New York City, had always believed that what she had seen in rom-coms is all fantasy. But after thwarting a mugger at a subway station only to be knocked out while fleeing, Natalie wakes up and discovers that her life has suddenly become her worst nightmare—a romantic comedy—and she is the leading lady.
The characters of "Marcas do Pastado" live new adventures following the story with surprises and fun and exciting facts. The film explores the culture of Sertão Piauí and shows the daily lives of people in a striking and funny story.