What Happens After the Massacre 2025 - Movies (May 27th)
Dewayne White A Boy Named Shannon 2025 - Movies (May 27th)
Take Cover 2024 - Movies (May 27th)
The Lunatic Farmer 2025 - Movies (May 26th)
The Demon Disorder 2024 - Movies (May 26th)
Ghosts of Red Ridge 2024 - Movies (May 26th)
In the Lost Lands 2025 - Movies (May 26th)
Bam Bam The Sister Nancy Story 2024 - Movies (May 26th)
Lilo and Stitch 2025 - Movies (May 26th)
Mike Birbiglia The Good Life 2025 - Movies (May 26th)
Alien Invasion Rise of the Phoenix 2025 - Movies (May 26th)
Beezel 2024 - Movies (May 26th)
24 Hours to D-Day 2024 - Movies (May 26th)
Home Sweet Home Rebirth 2025 - Movies (May 26th)
Finding Bliss Fire and Ice 2024 - Movies (May 26th)
Betrayal 2024 - Movies (May 26th)
Queer 2024 - Movies (May 25th)
Mission Impossible - The Final Reckoning 2025 - Movies (May 25th)
The Ainsley McGregor Mysteries A Case for the Winemaker 2024 - Movies (May 25th)
Riff Raff 2024 - Movies (May 25th)
Jerrod Carmichael Don’t Be Gay 2025 - Movies (May 25th)
Faking It - (May 27th)
The Cheap Seats - (May 27th)
Our Farm Next Door- Amanda, Clive and Kids - (May 27th)
Tipping Point - (May 27th)
Secrets of the Royal Traditions - (May 27th)
The Derbyshire Auction House - (May 27th)
Bargain-Loving Brits in the Sun - (May 27th)
Traqueur de chars - (May 27th)
Narrow Escapes - (May 27th)
Homes Under the Hammer - (May 27th)
Money for Nothing - (May 27th)
The Kimberley - (May 27th)
Kevin Costners The West - (May 27th)
Farmer Wants a Wife - (May 27th)
Claire Hoopers House of Games - (May 27th)
Who Do You Think You Are - (May 27th)
David Lomas Investigates - (May 27th)
Dr. Pimple Popper- Breaking Out - (May 27th)
Yes, Chef - (May 27th)
Basketball Wives - (May 27th)
Though it does sort of get going in the last twenty minutes or so, the rest of this is a really slow family discord drama that features hardly any ghosts but is more of a finding herself exercise for "Phoebe" (McKenna Grace) that involves her coming to terms with psuedo-father "Gary" (Paul Rudd) and relating to her very own chess-playing version of "Moaning Myrtle" - only this one's called "Melody" (Emily Alyn Lind). When we do actually focus on things mystic, the story revolves around a brass sphere that is covered with ancient hieroglyphics. This comes into the possession of 'Stantz" (Dan Aykroyd) who takes it to the team for further investigation. Needless to say, that causes quite a bit of mayhem whilst, meantime, the mayor (William Atherton) is after the "Ghostbusters" for causing expensive havoc every time they trap a ghost. That contretemps will question the very existence of their firehouse operation and of their ongoing mission to boldy go... Anyway, as the plot lurches along we get the odd opportunity to see some proton packs in action; the old car gets put through it's paces and the original "Bibendum" ghosts get an outing or two, too, as a sort of bellwether for impending doom. That impending doom is all delivered, frostily, too little and too late to rescue this entirely derivative two hours from the cinema doldrums. The original cast - Bill Murray, Ernie Hudson, Annie Potts and Aykroyd really need to stop appearing to legitimise these sequels - they are not patch on the original and really do smell, strongly, of flogging the dead horse. I would recommend a cinema viewing, though - at least that makes the most of the visuals. This will look distinctly mediocre on the television.
FULL SPOILER-FREE REVIEW @ https://talkingfilms.net/ghostbusters-frozen-empire-review-a-step-back-that-still-holds-enough-entertainment/ "GHOSTBUSTERS: FROZEN EMPIRE falls short of its predecessor, but the members of the classic and new cast inject enough energy, charm, and emotion to compensate for the narrative inconsistencies and pacing issues. Mckenna Grace's remarkable performance carries the film, but putting all the narrative, thematic, and emotional weight on a single character generates inevitable problems. It's unlikely to become the favorite installment for fans of the franchise, but it's still an adventure with enough entertainment to satisfy families around the world." Rating: B-
Whilst not as awful as its 2016 counterpart, the latest instalment in the Ghost Busters franchise, is hardly noteworthy either. Frozen Empire tries, in vain, to recapture the vibe of the first film from 1984. There's an earnest effort to re-establish the off the wall, goofiness of the original. Even bringing in old cast members to help things along. Sadly the wry wit and humour that defined the old flick, not to mention the remarkably deep characterisations, is largely absent. What you are left with is empty mimicry that's none too inspiring, backed by a story and action that's not awful but really feels like its going through the motions. On the subject of the story, I will give kudos to the fact it is, at least, a little original and imaginative. Regrettably whilst this film is superficially watchable its also instantly forgettable, having none of the blockbuster potential found in the first film, way back when. That said and again, in fairness, society has moved on from Ghostbusters. Its unsophisticated by modern standards and is never going to be the kind of hit it was in simpler, cinematic times. I think the final question then, is why keep trying? Is Hollywood really so bereft of new ideas, that reinventing the past is all it can aspire to? In summary, tries to wring the last drop out of a well worn and frankly, worn out franchise, that's long since, had its day. Superficially watchable but also readily forgettable.
I have seen both amazing and terrible Ghostbusters films in my lifetime, and this one falls somewhere in the middle. It doesn't reach the heights of the original, nor does it plummet to the lows of the less successful installments. I would rank this film slightly below Ghostbusters II. While it’s fun, it suffers from a messy story and too many characters. The film's main issue lies in its sprawling narrative. With too many characters vying for attention, the story becomes a bit disjointed. For example, the original Ghostbusters worked so well because it focused on a tight-knit group of protagonists, allowing for rich character development and clear, coherent plot progression. In contrast, this film tries to juggle multiple subplots and character arcs, leading to a lack of focus. While the movie has its enjoyable moments, the story feels scattered. Key plot points are often rushed or underdeveloped, leaving the audience wanting more depth and cohesion. For instance, a subplot involving a new character’s backstory is introduced but never fully explored, making their motivations and actions feel superficial. This scattered approach detracts from the overall narrative impact. Despite these flaws, the film does have its charms. It’s a fun addition to the franchise and includes plenty of moments that fans will appreciate. The humor, special effects, and ghost-hunting sequences are all entertaining and Paul Rudd shines throughout. However, it lacks the nostalgic appeal of Ghostbusters II. The second film, despite its own flaws, managed to capture the magic and charm of the original. This new installment doesn’t quite evoke the same feelings. It feels more like a modern reboot than a continuation of the beloved series. For example, the nods to the original films are present but often feel more like fan service than integral parts of the story. While this latest Ghostbusters film is not without its faults, it is still a fun watch. It doesn’t quite capture the nostalgia or coherence of the earlier films, but it adds a new layer to the franchise that fans might enjoy catching on TV. It’s worth a watch for its entertainment value, even if it doesn’t fully live up to the legacy of its predecessors.
A stray World War Two bomb releases the ghost of the 3rd Earl of Chaunduyt after 400 years. A visiting professor, while wooing the beautiful Lady Mary, daughter of the present Earl, finds him an ally in his fight on behalf of the villagers to protect their ancient rights against a meddling newcomer.
Axel Foley returns to the land of sunshine and palm trees to investigate the near-fatal shooting of police Captain Andrew Bogomil. With the help of Sgt. Taggart and Det. Rosewood, they soon uncover that the shooting is associated with a series of "alphabet" robberies masterminded by a heartless weapons kingpin—and the chase is on.
Frodo Baggins and the other members of the Fellowship continue on their sacred quest to destroy the One Ring-but on separate paths. Their destinies lie at two towers-Orthanc Tower in Isengard, where the corrupt wizard Saruman awaits, and Sauron's fortress at Barad-dur, deep within the dark lands of Mordor. Frodo and Sam are trekking to Mordor to destroy the One Ring of Power while Gimli, Legolas and Aragorn search for the orc-captured Merry and Pippin. All along, nefarious wizard Saruman awaits the Fellowship members at the Orthanc Tower in Isengard.
As armies mass for a final battle that will decide the fate of the world-and powerful, ancient forces of Light and Dark compete to determine the outcome-one member of the Fellowship of the Ring is revealed as the noble heir to the throne of the Kings of Men. Yet, the sole hope for triumph over evil lies with a brave hobbit, Frodo, who, accompanied by his loyal friend Sam and the hideous, wretched Gollum, ventures deep into the very dark heart of Mordor on his seemingly impossible quest to destroy the Ring of Power.
In 2257, a taxi driver is unintentionally given the task of saving a young girl who is part of the key that will ensure the survival of humanity.
A crusty old rancher hires three young women to pose as his daughters. However, the real father of one of the daughters finds out about it, and kidnaps her to hold her for ransom-which the rancher can't pay.
After Homer accidentally pollutes the town's water supply, Springfield is encased in a gigantic dome by the EPA and the Simpsons are declared fugitives.
Quinn, a neurotic man, is diagnosed with a harmless eye condition and soon after his life spirals out of control. He second-guesses his plans to propose to his longtime girlfriend, Devon, after his beautiful coworker, Kelsey, confesses that she has a crush on him. After a conversation with his best friend, Jameson, he clumsily tries to explain his doubts to Devon, but his possible proposal turns into a break-up. When Devon flees to Paris, he follows her in a last-ditch effort to win back "the one."
When an asteroid threatens to collide with Earth, NASA honcho Dan Truman determines the only way to stop it is to drill into its surface and detonate a nuclear bomb. This leads him to renowned driller Harry Stamper, who agrees to helm the dangerous space mission provided he can bring along his own hotshot crew. Among them is the cocksure A.J. who Harry thinks isn't good enough for his daughter, until the mission proves otherwise.
Yung Fang and Fung Yong are brothers in competition. One is married to Siu Gwan, who wooed him away from the vicious Sherry, who goads Yung Fung about being useless. Yung Fung is executed, but is reincarnated a thousand years later, where revenge is played out...
A sweeping multigenerational story set against the backdrop of the raw, roaring New York City of the late 1980s; adoption, teen pregnancy, drugs, hardcore punk rock, the unbridled optimism and reckless stupidity of the young—and old—are all major elements in this heart-aching tale of the son of diehard hippies and his strange odyssey through the extremes of late 20th century youth culture.