Get Along

The movie revolves around the factory worker figure evolution from post-WWII in Italy, with the emigration from southern to northern regions, the years of economic boom, the strikes, the riots and the infamous march of the 40000 in Turin in 1980.

An intimate, behind-the-music portrait of one of the most unassuming yet influential creative artists of our time, guitarist Bill Frisell. Frisell said of the film, “It’s like the inside of my brain!”

A biography movie directed by Eva Aridjis with Jesus Aceves. Jesus 'Chuy' Aceves and a dozen living members of his extended family suffer from the very rare condition of congenital hypertrichosis.

Fighting to reunite with their children, 'Tough Love' chronicles the lives of two parents with cases in the United States child welfare system as they attempt to prove to the courts and the system that they deserve a second chance to be a parent and have a family.

War is Hell. Why would anyone want to spend their weekends there? Deep in the Oregon woods, the heat of a reenacted Vietnam battle sheds light on America's complicated relationship with war and its veterans.

The film follows the story of Jamie, a struggling butch lesbian actress who gets cast as a man in a film. The main plot is a romantic comedy between Jamie's male alter-ego, "Male Jamie," and Jill, a heterosexual woman on set. The film's subplots include Jamie's bisexual roommate Lola and her cat actor Howard, Lola's abrasive butch German girlfriend Andi, and Jamie's gay Asian friend David.

The Age of Stupid is the new movie from Director Franny Armstrong (McLibel) and producer John Battsek (One Day In September). Pete Postlethwaite stars as a man living alone in the devastated future world of 2055, looking at old footage from 2008 and asking: why didn’t we stop climate change when we had the chance?

When seminal documentarian Ed Pincus is diagnosed with a terminal illness, he and collaborator Lucia Small team up to make one last film, much to the chagrin of Jane, Ed’s wife of 50 years. Told from two points of view with vulnerability, intimacy and humor, ONE CUT, ONE LIFE challenges the form of first person documentary while offering a complex story of love, loss, legacy, and the delicacy of capturing the preciousness of life while time is fleeting.

Depicts a cast of fine artists and eccentric scientists (from MIT and NASA) who have devoted their lives to the unlikely medium of modern origami. Through their determination to reinterpret the world in paper, they arouse a fascinating mix of sensibilities towards art, form, expressiveness, creativity and meaning

You’d never know this is your home away from home. The surveillance camera outside shows a drab reception area and an unremarkable street in Mexico City; inside, the lights flash, but the tables are empty. Yet preparations are soon underway and fixed categories cease to apply: stubble is removed, make-up applied and strands of hair are teased into place; the camera is trained not on the men themselves, but what they see in the mirror.

The first image is in black and white, upside down and projected into a black box that then becomes the frame. It now hovers like a time capsule near a man’s face. He looks down, listening in on a female guerrilla fighter and translating her words from Fulani. Within the capsule, money is counted and paid out as a new currency, the numbers of the years run backwards in the black box. A 16-mm film glides through the man's hands and is transferred to a laptop screen frame by frame.