Space Cadet 2024 - Movies (Jul 4th)
QUICKSAND 2023 - Movies (Jul 4th)
Control 2023 - Movies (Jul 4th)
X Trillion 2024 - Movies (Jul 3rd)
Xterminator and the AI Apocalypse 2023 - Movies (Jul 3rd)
Riddle of Fire 2024 - Movies (Jul 3rd)
Sierra Katow Funt 2024 - Movies (Jul 3rd)
Joan Baez I Am a Noise 2023 - Movies (Jul 3rd)
Beverly Hills Cop Axel F 2024 - Movies (Jul 3rd)
This Closeness 2023 - Movies (Jul 3rd)
Nyctophobia 2024 - Movies (Jul 2nd)
Babes 2024 - Movies (Jul 2nd)
Boneyard 2024 - Movies (Jul 2nd)
Rock the Boat 2 2024 - Movies (Jul 1st)
Everything to Entertain You The Story of Video Headquarters 2023 - Movies (Jul 1st)
The Piper 2023 - Movies (Jun 30th)
Falling Like Snowflakes 2024 - Movies (Jun 30th)
May December 2023 - Movies (Jun 30th)
Reverse the Curse 2023 - Movies (Jun 30th)
Hoard 2023 - Movies (Jun 30th)
Grieve 2023 - Movies (Jun 30th)
Evil - (Jul 4th)
Criminal Minds - (Jul 4th)
Suicide Squad Isekai - (Jul 4th)
Makeup X Breakup - (Jul 4th)
Breaking New Ground - (Jul 4th)
The Boys - (Jul 4th)
Royal Rules of Ohio - (Jul 4th)
Fake Profile - (Jul 4th)
Gutfeld! - (Jul 4th)
The Five - (Jul 4th)
The Ingraham Angle - (Jul 4th)
Jesse Watters Primetime - (Jul 4th)
Hannity - (Jul 4th)
The Real CSI- Miami - (Jul 4th)
Raw Talk - (Jul 4th)
Alex Wagner Tonight - (Jul 4th)
The Last Word with Lawrence ODonnell - (Jul 4th)
Dimension 20 - (Jul 4th)
All Elite Wrestling- Dynamite - (Jul 4th)
Reginald the Vampire - (Jul 4th)
The most glittering, expensive, and exhausting videotaping session in television history took place Friday February 19, 1982 at New York's Radio City Music Hall. The event, for which ticket-buyers paid up to $1,000 a seat (tax-deductible as a contribution to the Actors' Fund) was billed as "The Night of 100 Stars" but, actually, around 230 stars took part. And most of the audience of 5,800 had no idea in advance that they were paying to see a TV taping, complete with long waits for set and costume changes, tape rewinding, and the like. Executive producer Alexander Cohen estimated that the 5,800 Radio City Music Hall seats sold out at prices ranging from $25 to $1,000. The show itself cost about $4 million to produce and was expected to yield around $2 million for the new addition to the Actors Fund retirement home in Englewood, N. J. ABC is reputed to have paid more than $5 million for the television rights.
The story of the 1773 highland migrants who left Scotland to settle in Nova Scotia.
A Halloween-themed television special starring Paul Lynde which aired only once on October 29, 1976 on ABC. It features guest stars including Margaret Hamilton (who reprises her role as the Wicked Witch of the West), Billie Hayes (as Witchiepoo from H.R. Pufnstuf), Tim Conway, Roz Kelly, Florence Henderson, rock band KISS, Billy Barty, Betty White and, in an unbilled surprise appearance, Donny and Marie Osmond.
Izzy (mascot of the 1996 Atlanta Olympics), resident of the world inside the Olympic flame, dreams of one day playing in the games himself. To do this, he must gather the Olympic Rings, which represent the skills and values the Olympics represent. Along the way, he is hindered and helped by allies and enemies and splits the Flame World in two: against and for him.
Comic Relief and Children in Need join forces to deliver a very special night of television, hosted by Lenny Henry and Matt Baker.
Pawnee's most dedicated civil servant, Leslie Knope, is determined to stay connected to her friends in a time of social distancing.
Made-for-TV special about a delivery man, his friends, and a talking ape mutating into quirky superheroes and fighting a mad scientist who wants to conquer their futuristic atomic city. Based on the eponymous NES video game.
UFC 10: The Tournament was a mixed martial arts event held by the Ultimate Fighting Championship on July 12th, 1996, at the Fairgrounds Arena in Birmingham, Alabama. The event was seen live on pay per view in the United States, and later released on home video.
The bigger the audiences for Dutch comedian Micha Wertheim’s shows became, the less he had to do to make them laugh. In one early show, he suggested that the audience would be better off without him. So in 2016, he acted upon this suggestion with an experiment that made theater history: he wasn't physically present onstage but somewhere else. The audience wasn't aware of this in advance, though they did get a hint in the form of a pre-recorded "live" radio interview from a remote studio. "I see my audience as my children," Wertheim says in this interview. "You have to educate them, and that’s what I’ve been doing for the past 15 years. At first you have to constantly be there watching them, but there comes a time when you have to trust them to get on with it without you." With some help from a robot, a printer, a stereo and a set of headphones, the members of his audience were able to make their own performance.
This comedy/theatre show is the sequel to 'Micha Wertheim: Somewhere Else'. This second show starts exactly where the first show ended: in the same theatrical scenery, with the same robot. But this time Wertheim surprises his audience by showing up. He tells about how the first experimental comedy show was received and contemplates about the magic of theatre and art in a society about the right to exist of art in a society that allows less and less doubt and confusion. When Robot falls into a depression, the boundaries between theater and reality begin to blur.