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#MovieReview #TheForgeMovie I recently watched the faith-based Christian film, "The Forge," which tells the story of a young man grappling with anger and resentment towards his biological father, as he strives to become a better person without truly understanding how. He is mentored by a group known as the Forge, particularly by a man who offers him a job, portrayed by the talented Cameron Arnett. Arnett's portrayal of this godly figure is truly exceptional, showcasing compassion, emotion, and acting prowess that surpasses any other faith-based film I've seen. Karen Abercrombie, reprising her role as Miss Clara from "War Room," adds a touch of humor and seriousness to the film. Meanwhile, Priscilla Shirer, also returning from "War Room," solidifies her place as one of my favorite actresses with her captivating presence that draws viewers into worship and belief. Initially unsure about the main character Isaiah's portrayal, Aspen Kennedy proves himself to be a remarkable actor deserving of praise for his transformation from a troubled young man to a godly figure. The journey he takes viewers on is emotional and engaging, eliciting tears, laughter, and cheers as we witness his growth and struggles. The supporting cast in "The Forge" also deserves recognition for their extraordinary performances that contribute to the film's emotional depth and captivation. Despite being a two-hour movie, the story unfolds seamlessly, leaving audiences cheering at the end for its incredible impact. I highly recommend watching "The Forge" in theaters without delay. This eye-opening experience will resonate with you long after the credits roll, offering a powerful and inspiring story that is truly worth witnessing.
When their ocean liner capsizes, a group of passengers struggle to survive and escape.
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
An alien is left behind on Earth and saved by the 10-year-old Elliot who decides to keep him hidden in his home. While a task force hunts for the extra-terrestrial, Elliot, his brother, and his little sister Gertie form an emotional bond with their new friend, and try to help him find his way home.
Crotchety retired doctor Isak Borg travels from Stockholm to Lund, Sweden, with his pregnant and unhappy daughter-in-law, Marianne, in order to receive an honorary degree from his alma mater. Along the way, they encounter a series of hitchhikers, each of whom causes the elderly doctor to muse upon the pleasures and failures of his own life. These include the vivacious young Sara, a dead ringer for the doctor's own first love.
Nathan Algren is an American hired to instruct the Japanese army in the ways of modern warfare, which finds him learning to respect the samurai and the honorable principles that rule them. Pressed to destroy the samurai's way of life in the name of modernization and open trade, Algren decides to become an ultimate warrior himself and to fight for their right to exist.
A death row inmate turns for spiritual guidance to a local nun in the days leading up to his scheduled execution for the murders of a young couple.
For Lieutenant Pete 'Maverick' Mitchell and his friend and co-pilot Nick 'Goose' Bradshaw, being accepted into an elite training school for fighter pilots is a dream come true. But a tragedy, as well as personal demons, will threaten Pete's dreams of becoming an ace pilot.
Following an unexpected tragedy, child psychologist Malcolm Crowe meets a nine year old boy named Cole Sear, who is hiding a dark secret.
A neo-nazi sentenced to community service at a church clashes with the blindly devotional priest.
An ordinary funeral procession moves along its path from church to cemetery. Observing, you slip from reality into a place where time has lost its linearity, looping through the odd images thrown off by a distorted reality. Images of non-existence, of varying reflections of death issuing from both past and future, concrete yet abstract, horrible yet desirable. A family asks a young psychiatrist to be their guest for a while to untangle the circumstances of their father's illness. He's developed a suicidal fixation for ropes and knots among other things. While deeply involved in analyzing the patient's delirium, the doctor begins to lose track of what is taking place. The task of "how to help" is twisted into "who am I? Doctor or patient? Chance guest, member of this suffering family, or a catholic priest who has dreamed this all up?" In order to get a handle on it all, it's best to start from the beginning, but why do things keep shifting, changing?