Es por su bien

Joy and her family fly to help her mother-in-law Loraine with the difficult move from her home in Louisville, Kentucky 600 miles away to a retirement community near the family in Savannah, Georgia. But after a mixed-up flight reservation, Joy reluctantly agrees to take the trip in Loraine's Oldsmobile. Despite their many differences with adventures at every turn and trapped in the car together, they both discover they each may be the best friend they never knew they needed. And realize the love of family is all you need to bridge life's many seasons.

On the way to meet with an independent artist in the South, newlywed art dealer Madeleine is convinced by her husband, George, that they should stop to meet his family in North Carolina. Madeleine's affluent lifestyle clashes with the family, but she befriends George's wide-eyed and pregnant sister-in-law, Ashley, who is nearing her due date. Through the family, Madeleine gains greater insight into George's character.

Following both the death of her father-in-law and a divorce, Jesse, a New Yorker, returns to a small town to live with her now widowed mother-in-law. Jesse struggles to fit in with the local townsfolk who don’t welcome her with open arms to say the least. Jesse becomes acquainted with the local pastor, her widowed brother-in-law, falling in love with him, much to the dismay of the community. Things get even more complicated when her ex-husband comes calling, suspiciously trying to win her back. Between her love life and entangled in-laws, Jesse is tested as she seeks the answer to where she truly belongs.

A vengeful mother-in-law locks horns with her daughter-in-law in a twisted tale laced with dark comedy, political intrigue, and chilling thrills.

Willy, the son of baron Van Hergershuizen, finds himself disinherited after he marries an untitled girl. His wife decides to take action and applies for the job of the baron's housekeeper.

Fat Kau (Leung Sing-por) and his wife (Ma Siu-ying) are not on the best terms with their fierce daughter-in-law Tang (Tam Lan-hing). It is their secret wish that their grandson Kim-kwong (Yam Kim-fai) would marry an ill-tempered woman—it would be, Kau and Lee think, poetic justice for Tang to have a taste of her own medicine. But to their disappointment, the granddaughter-in-law Yu-chu (Law Yim-hing) turns out to be meek and understanding. Kau and his wife therefore tricks Yu-chu into starting a quarrel with Tang. Rich in intricate details of everyday life, the film depicts a witty battle between vivid characters, and is a comedic portrayal of the relationship between mother and daughter-in-law through three generations.

Hail is worried because Seungha, a pretty and sexy daughter-in-law, looks like a woman these days. An open-minded way of walking around the house in short clothes without hesitation, showing aegyo, etc. It is becoming increasingly intolerable to the tsunami. Hearing the sound of his son Do-jin and Seung-ha having sex is also starting to get harder. One day, the tsunami was spent relaxing at an illegal massage parlor. He takes a nap, but Seung-ha appears and seduces himself to dream of having sex. Seungha gazes at the tsunami who wakes up after having a sweet dream.

Following the loss of their son, a retired sheriff and his wife leave their Montana ranch to rescue their young grandson from the clutches of a dangerous family living off the grid in the Dakotas.

After his son dies, an elderly man comes back to Spain from the US and hopes to find out which of his granddaughters is true, and which one is bastard.