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Wow. Just wow. Ingmar Bergman really outdid himself this time. His movies are always a thoughtful watch because they're usually out somewhere on a parallel spiritual plane. This one, however, has two new characteristics: First, he's completely up-in-your-face about dysfunctional families. And second, there is so much incredible philosophy threaded into the film that you'll want to hit the pause button and take notes. IMHO, this might be Ingmar's best.
The intensity with which Ingmar Bergman brings together truly stunning performances from Liv Ullmann ("Eva") trying to reconcile with her chronically back pain ridden mother "Charlotte" (Ingrid Bergman) is fascinating to watch in this powerful, visceral drama. The relationship has long since been strained as the concert pianist mother had to make plenty of sacrifices - and choices - that affected her family. When she unexpectedly visits her daughter, the two sit at a piano, an experience that unlocks the flood gates on an history of blame, recrimination and resentment - though not without some considerable affection, too - and we are taken on a fairly joyless guided tour of their lives together. To add to this already fairly emotionally turbulent cocktail, "Charlotte" discovers that her other daughter "Helena" (a wonderfully authentic effort from Lena Nyman) - who suffers from a pretty severe mental illness - is also being cared for by her sister, and yet more demons emerge. Essentially a double-hander between the mother and daughter, this story runs the gamut of feelings and though at times you can't help feeling that the scenarios are just a little unnecessarily downbeat, the tightness of the close up photography and poignancy of the dialogue makes for a compelling evaluation of human ambition, priorities and, of love. Enjoyable? Well, I don't think I could say that - but captivating, well yes - certainly
David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David.
Maria marries a young soldier in the last days of World War II, only for him to go missing in the war. She must rely on her beauty and ambition to navigate the difficult post-war years alone.
A radio astronomer receives the first extraterrestrial radio signal ever picked up on Earth. As the world powers scramble to decipher the message and decide upon a course of action, she must make some difficult decisions between her beliefs, the truth, and reality.
A death row inmate turns for spiritual guidance to a local nun in the days leading up to his scheduled execution for the murders of a young couple.
Many loosely connected characters cross paths in this film, based on the stories of Raymond Carver. Waitress Doreen Piggot accidentally runs into a boy with her car. Soon after walking away, the child lapses into a coma. While at the hospital, the boy's grandfather tells his son, Howard, about his past affairs. Meanwhile, a baker starts harassing the family when they fail to pick up the boy's birthday cake.
Over the course of five social occasions, a committed bachelor must consider the notion that he may have discovered love.
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
Following an unexpected tragedy, child psychologist Malcolm Crowe meets a nine year old boy named Cole Sear, who is hiding a dark secret.
The spoiled daughter of a Georgia plantation owner conducts a tumultuous romance with a cynical profiteer during the American Civil War and Reconstruction Era.
After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.
Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. Preserved by the Academy Film Archive in 1996.