From Teen Ass To Teen Mouth 20

Master painter Hans Moll and his wife, the television announcer Ms. Wellinek and her husband, and the German-Russian Jew Yevgenia have many things to live on: food, drink, an apartment. What they do not have is work. They all discover the yearning for a chance to start all over again and bring themselves back to life.

Dilan's involvement in the motorbike gang imperils his relationship with Milea, whose distant relative returns from Belgium.

Tanya leaves Moscow with her street-wise 10-year-old son Artiom to meet her English fiancée in London. But after he fails to turn up at the airport, Tanya, intent on staying in England, is forced to apply for political asylum and transferred to Stonehaven, a grimy former seaside resort where refugees are housed. Tanya gradually develops a relationship with an amusement arcade manager, who helps them escape. She must then decide whether to stay with him or return to Russia.

Ingo Hasselbach, whose parents were Communist Party members in East Germany during his childhood, has lived at both ends of the political seesaw. The question of how people reach a change of heart is a profound one; Hasselbach describes the external forces that led to his founding Germany's first neo-Nazi political party and the internal ones that led him away from it five years later.

Young artist Kyoko wreaks havoc on everyone that she encounters when Japan's oldest major movie studio asks a batch of venerable filmmakers to revive its high-brow soft-core Roman Porno series.

Lucia, a 16-year-old punk rock fan and singer, lives with her family. When her mother is accused of attempted murder after pushing her step-father down a flight of stairs, Lucia is left in charge of her siblings.

A love story, a love triangle that gets soiled with blood with the arrival of a fourth character: a serial killer who collects vaginas. Lesbian couple is chased by lover betrayed in the areas of Weird. Blood and sex in the tradition of the 80's Boca do Lixo films with eschatological scenes and total cinematographic metalanguage.

Following the death of her brother, filmmaker Robie Flores returns to her hometown Eagle Pass on the Texas/Mexico border, wanting to turn back time. She collides with unruly experiences of adolescence – quinceañeras, Rio Grande river excursions, teen makeovers and beyond – that invite her to soak up the details of the home her brother adored and she ignored. What emerges is a playful dance between a personal and collective coming-of-age portrait of kids on the border and Robie herself as she rediscovers the possibilities of joy in the aftermath of grief.

A man finds himself homeless after a fight with his significant other.

After five years of marriage, Diana discovers the joys of adultery, claiming that she can save her failing relationship through betrayal.