Controlling My Husband 2024 - Movies (Feb 19th)
Rosebud Baker The Mother Lode 2025 - Movies (Feb 18th)
We Beat the Dream Team 2025 - Movies (Feb 18th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
Moonshiners- Master Distiller Tournament of Champions - (Feb 19th)
Renovation Aloha - (Feb 19th)
FBI - (Feb 19th)
Hard Quiz - (Feb 19th)
The One Show - (Feb 19th)
The Rachel Maddow Show - (Feb 19th)
The Last Word with Lawrence ODonnell - (Feb 19th)
Calipari- Razors Edge - (Feb 19th)
PITINO- RED STORM RISING - (Feb 19th)
The Irrational - (Feb 19th)
The Real Housewives of Beverly Hills - (Feb 19th)
FBI- International - (Feb 19th)
Night Court - (Feb 19th)
FBI- Most Wanted - (Feb 19th)
Will Trent - (Feb 19th)
The Rookie - (Feb 19th)
Kitchen Nightmares - (Feb 19th)
WWE NXT - (Feb 19th)
Your Friendly Neighborhood Spider-Man - (Feb 19th)
My Family - (Feb 19th)
Nicholas Vreeland walked away from a worldly life of privilege to become a Tibetan Buddhist monk. Grandson of legendary Vogue editor Diana Vreeland and apprentice of photographer Irving Penn, Nicholas' life changed drastically upon meeting one of the Dalai Lama's teachers. Soon thereafter, he gave up his glamorous life to live in a monastery in India, ultimately returning to his roots in photography to help his fellow monks rebuild their monastery.
Under the neon lights in a gay-friendly neighborhood of New York City, four young African-American lesbians are violently and sexually threatened by a man on the street. They defend themselves against him and are charged and convicted in the courts and in the media as a 'Gang of Killer Lesbians'.
Beyond her historic role in the Montgomery Bus Boycott, this comprehensive dive into Civil Rights icon Rosa Parks sheds light on her extensive organizing, radical politics, and lifelong dedication to activism.
Portrait of a private coal company in East Berlin's Prenzlauer Berg district in 1988/89. The feisty woman boss runs the business with humour and understanding. Her seven male employees respect her. To the outside world, they are all tough guys, but as they describe their jobs and personal situations, above and beyond the hard manual labour, their vulnerability starts to come to light.
Sitting at her typewriter, listening to tango music, she dreams. Buenos Aires and Montevideo are far away, a different world where, long ago, the tango came into being. A dream about dance and music, as well as about unfulfilled desire and wanderlust behind the Berlin Wall.
This poignant documentary from directors Judith Leonard, Catherine Ryan and Gary Weimberg explores the rich complexity of mother-daughter relationships as told by women themselves in scores of candid interviews. Honoring the sometimes close, sometimes fractious, but always vital link moms share with their girls, this film celebrates how these relationships evolve in stages from birth through adulthood to the end of life.
Kristina, a self-named Hungarian female lion tamer, arrives in New York to become a dance choreographer. Kristina, now a middle-class NYC artist concerned about the environment, has a sailor lover named Raoul. The film, a collage work, an essay film, a fictional narrative and a documentary all rolled into one, is one of the most important independent American feminists films made during the 1970's.
This feature documentary takes us to the heart of the Jane-Finch "Corridor" in the early 1980s. Covering six square blocks in Toronto's North York, the area readily evokes images of vandalism, high-density subsidized housing, racial tension, despair and crime. By focusing on the lives of several of the residents, many of them black or members of other visible minorities, the film provides a powerful view of a community that, contrary to its popular image, is working towards a more positive future.
A short documentary on the chateaux of the Loire in France was commissioned by the French Tourist Bureau.
Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.
"Michael Moore doesn't like documentaries. That's why he doesn't make them." A documentary that looks to distinguish what's fact, fiction, legend, and otherwise as a camera crew trails Michael Moore as he tours with his film, Fahrenheit 9/11.