Blink Twice 2024 - Movies (Sep 9th)
Beetlejuice Beetlejuice 2024 - Movies (Sep 8th)
Inside Out 2 2024 - Movies (Sep 8th)
Escape 2023 - Movies (Sep 8th)
Watchmen Chapter I 2024 - Movies (Sep 8th)
Revealed KillJoy 2024 - Movies (Sep 8th)
Slaughterhouse On The Hill 2024 - Movies (Sep 8th)
Woods Witch 2023 - Movies (Sep 8th)
A Thousand and One 2023 - Movies (Sep 8th)
Scooped 2024 - Movies (Sep 7th)
Better Not Kill the Groove 2024 - Movies (Sep 7th)
Dont Turn Out the Lights 2023 - Movies (Sep 7th)
Off Ramp 2023 - Movies (Sep 7th)
Head Over Heels 2024 - Movies (Sep 7th)
Shoshana 2023 - Movies (Sep 6th)
The Demon Disorder 2024 - Movies (Sep 6th)
Rebel Ridge 2024 - Movies (Sep 6th)
Killer Babes 2024 - Movies (Sep 6th)
My First Film 2024 - Movies (Sep 6th)
The Well 2024 - Movies (Sep 5th)
It Ends with Us 2024 - Movies (Sep 5th)
Tipping Point Australia - (Sep 9th)
The Last Leg - (Sep 9th)
FBOY Island Australia - (Sep 9th)
The Anonymous - (Sep 9th)
Married To Evil - (Sep 9th)
Snapped- Behind Bars - (Sep 9th)
Snapped - (Sep 9th)
The Cook Up with Adam Liaw - (Sep 9th)
The Great North - (Sep 9th)
Celebrity Treasure Island - (Sep 9th)
My Family Mystery - (Sep 9th)
Richard Hammonds Workshop - (Sep 9th)
Universal Basic Guys - (Sep 9th)
BBQ High - (Sep 9th)
The Last American Vagabond - (Sep 9th)
Industry - (Sep 9th)
Island Crossings - (Sep 9th)
90 Day Pillow Talk Before the 90 Days - (Sep 9th)
Carnival Eats - (Sep 9th)
Paranormal Caught on Camera - (Sep 9th)
The record of a human intervention in nature: A static shot shows part of a landscape, a serene body of water in front of a mountain. A motorboat enters the picture from the right, obeying the directions sent by radio and forming a spiral in the water's surface. The boat then turns to the left and leaves the scene; solely its wake is visible for a time.
Black Rain White Scars depicts a twilight of reality. With the steady shot of a Gotham-like cityscape, Lukas Marxt guides us between vestiges of visionary architecture and narrow planted apartment buildings. As we’re searching for our relational point within it, the overwhelming murmuring of the human, car, and boat traffic, at the same time marginalises our position. We are a part of the scenery, though secluded and apart from it.
Hansjürgen Pohland's short documentary is an audiovisual study that captures events and people on the streets on film. The special feature of the work is that the people and objects are portrayed exclusively through their shadows.
As the only work in this medium by Richter, the film was created for the exhibition Volker Bradke that took place on 13th December 1966 at Galerie Schmela in Düsseldorf. For the purpose of this exhibition, Gerhard Richter addressed the person Volker Bradke in different mediums. In addition to photographs, a banner and a large-scale painting Volker Bradke [CR: 133], the film had been screened. Richter transferred one of the stylistic features of his paintings of that time into film: the blurring.
A 2008 short made in accompaniment with Our Beloved Month of August, documenting Gomes's and his crew's hapless search, during 2007's carnival, for one of Arganil's most storied and elusive characters (who does, in fact, ultimately appear as an interviewee/player in the finished film). Paulo "Miller" is known for taking a dangerous jump into the Alva from a bridge each year during carnival, but what this film is about is, in keeping with the free-roving feature, much less the subject himself than Gomes and co.'s inability to pin him down; not only does he not do his famous jump during this year's carnival, but an ostensible technical/audio failure (as with the feature, it's very difficult to say how much of this film is "fact," how much invented) during Gomes's initial on-camera meeting with Paulo "Miller" leads to five minutes of lip-readers attempting to decipher their conversation.
After several farmyard analogies featuring chicks and calves, the well-spoken narrator and director of the film, Winifred Holmes, considers the subject of girls and how they reach adulthood and readiness for the 'important job of motherhood.
The film shows the spatial distribution and the behaviour of the Mediterranean demoiselle Calopteryx haemorrhoidalis on typical reproduction waters. The great importance of suitable perches becomes obvious. These perches, e. g. single rush stems, are used by immature, hunting individuals as well as by reproductive males that are controlling territories from these sites. The latter chase all other individuals, the result being a spatial segregation between immature and reproductive specimens during the day. Typical behaviour, such as threatening, courting, copulation, and oviposition is shown in different film speeds.
Using gland regions on their heads, warthogs mark poles and other objects for self-orientation. Males often mark during the mating season. The male also sprays urine when searching for and inspecting sleeping cavities.
The first Easter Island documentary, filmed in 1935 when the Belgian naval ship Mercator came to collect Drs. Henri Lavacherry and Alfred Métraux, who had arrived six months before to carry out archaeological and ethnological work. The film, directed with melodramatic gusto and featuring a full orchestral score by Maurice Jaubert (who also did the narration), shows islanders, the monuments, and a public dance. A theme of decay and decadence characterizes the film, the motif portrayed gruesomely by extensive close-ups of the inhabitants of the leper colony there at the time. The film suited a romantic image of a mysterious lost civilization, the survivors eking out a pitiful existence on a barren rock. (Grant McCall)
An interview with cinematographer Richard H. Kline talking about his filming experience in Brian De Palma's film The Fury.