Oriental Hawaii

After a young heiress is assaulted by a policeman, she seeks revenge by befriending the policeman’s mousy wife and introducing her to her circle of outrageous punk friends.

Carlo Cofield vacations to Southern California, where he quickly becomes immersed in the easy-going local culture, getting entangled in two beachside romances.

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.

A property developer wants to take over an Australian beach for a high rise resort. He sends his son to Australia to check out the situation, posing as an exchange lifeguard. He falls in love with a woman who owns the land his father needs for the development and finds himself sympathising with the locals.

The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.

A group of friends vow to open their college acceptance letters at the same time during the big end-of -year party.

Two beach combing-shutterbugs accidentally capture a murder on film. Now detectives, the boys set out to capture a murderess shot only from behind, with a rose tattoo on her behind. Fun in the sun turns dangerous when they end up shooting bullets instead of film.

Rick is a Los Angeles County lifeguard who is in his thirties. At his 15-year high school reunion, he sees his old girlfriend who is now a divorced mother. After falling in love with her, Rick considers changing his career and lifestyle.

Sleazy comedic character "El Mofles" goes to Acapulco where he gets unknowingly involved with a robbery.

A very middle-class Bavarian family spend the last day of their Mediterranean vacation on the beach, day-dreaming and muttering racist remarks about Italian people.

Two young insurance corporation employees try to pretend that their murdered employer is alive by puppeteering his dead body, leading a hitman to attempt to track him down to finish him off.