You Can Call Me Bill 2023 - Movies (Apr 27th)
Breaking Olympia The Phil Heath Story 2024 - Movies (Apr 26th)
Cash Out 2024 - Movies (Apr 26th)
Infested 2023 - Movies (Apr 26th)
All India Rank 2023 - Movies (Apr 26th)
Hack Your Health The Secrets of Your Gut 2024 - Movies (Apr 26th)
Humane 2024 - Movies (Apr 26th)
Possessions 2024 - Movies (Apr 25th)
Dusk for a Hitman 2023 - Movies (Apr 25th)
Love Lies Bleeding 2024 - Movies (Apr 25th)
Blood for Dust 2023 - Movies (Apr 25th)
City Hunter 2024 - Movies (Apr 25th)
Good Burger 2 2023 - Movies (Apr 25th)
Challengers 2024 - Movies (Apr 25th)
Madame Web 2024 - Movies (Apr 24th)
The Pod Generation 2023 - Movies (Apr 24th)
6 Hours Away 2024 - Movies (Apr 24th)
Food Inc. 2 2023 - Movies (Apr 24th)
Blackout 2023 - Movies (Apr 24th)
Mean Girls 2024 - Movies (Apr 24th)
Civil War 2024 - Movies (Apr 24th)
WWE SmackDown - (Apr 27th)
Were Here - (Apr 27th)
LOL- Last One Laughing Poland - (Apr 27th)
Monsters at Work - (Apr 27th)
The UnXplained Special Presentation - (Apr 27th)
Whos Talking to Chris Wallace? - (Apr 27th)
The New York Times Presents - (Apr 27th)
Show by Rock!! Mashumairesh!! - (Apr 27th)
Blue Bloods - (Apr 27th)
Fire Country - (Apr 27th)
The Ingraham Angle - (Apr 27th)
The Five - (Apr 27th)
Hannity - (Apr 27th)
Gutfeld! - (Apr 27th)
On Patrol- Live - (Apr 27th)
S.W.A.T. - (Apr 27th)
The Last Word with Lawrence ODonnell - (Apr 27th)
Have I Got News for You - (Apr 27th)
Michael Portillos Long Weekends - (Apr 27th)
Gogglebox - (Apr 27th)
Right in the opening scene of Naanum Rowdy Dhaan, director Vignesh Shivan makes it clear what we are in for — a quirky — and at times darkly funny — comedy. We see a young boy, Pandian, sitting inside a prison cell, and just when we think that he is a juvenile prisoner, we are shown that he is actually the son of the station's inspector, Meenakumari. He strikes up a conversation with a small-time gangster (Naan Kadavul Rajendran, who gets a funny scene later on, which involves a pistol which makes a 'meow' sound when it goes off) in the cell, and this inspires him s much that he decides that he wants to become only a rowdy and not a police officer. The boy grows up into a young man (Vijay Sethupathy) who behaves like a rowdy (his den is painted with fluorescent paint where the rates of various jobs (from cutting off one's hand to cross calling are graffitied), even though the only tussles that he is asked to mediate is between schoolboys. And the story he had heard from the prisoner in the cell impacts his life once again. A character from the story, Kadambari walks into his life. She is a hearing-impaired girl whose cop father, who had gone after Killivalavan (Parthiban), the gangster-politician responsible for his wife's death, is missing and she requests him to track him down. Pandian is smitten by the girl and decides to help her. Things come to a stage when Kadambari tells him that she will live with him only if he can defeat the gangster who took away the people close to her. The plot might come across as a serious revenge drama, but Vignesh Shivan displays a lightness of touch throughout that makes the film so much fun. And, he keeps things breezy even when situations get serious. There is always a funny one-liner or a bouncy musical cue waiting to make us relax, and the comical and emotional beats of the film are brought together seamlessly in an admirable way. He is aided in this task by his music director Anirudh's rollicking score (and songs, which, for a change, are not bathroom breaks but add to the mood of the scenes), cinematographer George C Williams' gorgeous frames and editor Sreekar Prasad's cuts which keep even the serious scenes fleet-footed. The segment where Pandian and his friends try to kidnap Killivalavan is among the hilarious moments we have seen in Tamil cinema this year. The plan, as we expect, goes gloriously wrong, but is comedic gold. The director also adds a bit of novelty to the storyline by showing us certain scenes and then going back to them at a later stage to give us a complete picture. Early on, Kadambari is brought into the police station when she is found wandering alone at night and picking up a fight with the cop. And when Vignesh shows us what had actually happened, things fall into place with an ease that is to be seen to believe. There are a couple of moments where the film threatens to descend into melodrama. One happens when Kadambari gets news of her father's death and mourns for him. This scene goes longer than necessary and is shot in a self-conscious fashion (a close-up of Pandian and Kadambari's lips) that only yanks us out of the film. The other takes place in the midst of a shoot-out when we are told something has befallen Pandian's mom. We get a pay-off to this scene during the closing credits but it only comes across as indulgent. The actors are terrific. There is none of the mannered performance that we saw in Vijay Sethupathy in films like Orange Mittai. Instead, he seems relaxed and that helps turn the character into a charmer. Parthiban has some crackling scenes and the actor manages to make Killivalavan comical and menacing at the same time. This is one of the strong performances of Nayanthara; perhaps, dubbing for herself has actually helped. And her disability is refreshingly handled in a matter-of-fact way (there is no solo violin wailing in the background to make us empathise with her) and the film has fun playing around her impairment (the scene where she is kidnapped by Anandraj, who play a small-time rowdy, is hilarious). RJ Balaji raises a smile every now and then with his pop cultural references. He even uses the screen persona of yesteryear villains Anandraj and Mansoor Ali Khan to add humour to the scenes. The only one who gets lost is Radikaa, with a character that stays offscreen after the initial scenes. Maybe, that is why the director chose to have the closing credits scene.
Boyz n the Hood is the popular and successful film and social criticism from John Singleton about the conditions in South Central Los Angeles where teenagers are involved in gun fights and drug dealing on a daily basis.
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate businessman seeks revenge on his captors.
Jeff Bailey seems to be a mundane gas station owner in remote Bridgeport, California. He is dating local girl Ann Miller and lives a quiet life. But Jeff has a secret past, and when a mysterious stranger arrives in town, Jeff is forced to return to the dark world he had tried to escape.
In a world in which Great Britain has become a fascist state, a masked vigilante known only as “V” conducts guerrilla warfare against the oppressive British government. When V rescues a young woman from the secret police, he finds in her an ally with whom he can continue his fight to free the people of Britain.
In order to foil a terrorist plot, an FBI agent undergoes facial transplant surgery and assumes the identity of a criminal mastermind. The plan turns sour when the criminal wakes up prematurely and seeks revenge.
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
In 1937, Japan began their invasion of China by murdering over 300,000 people in the capital of Nanjing. The atrocities committed against women and their daughters are especially barbaric. One of them is Xiaoyun, a peasant girl who fights with the Chinese resistance group. On her way to freedom she must fight against Japanese soldiers, ninjas, a killer geisha, Nazis, and the evil General of the Japanese imperial army.
Five different criminals face imminent death after botching a job quite badly.
When Gelsomina, a naïve young woman, is purchased from her impoverished mother by brutish circus strongman Zampanò to be his wife and partner, she loyally endures her husband's coldness and abuse as they travel the Italian countryside performing together. Soon Zampanò must deal with his jealousy and conflicted feelings about Gelsomina when she finds a kindred spirit in Il Matto, the carefree circus fool, and contemplates leaving Zampanò.
New York police detective John Shaft arrests Walter Wade Jr. for a racially motivated slaying. But the only eyewitness disappears, and Wade jumps bail for Switzerland. Two years later Wade returns to face trial, confident his money and influence will get him acquitted - especially since he's paid a drug kingpin to kill the witness.