A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Lost in Tomorrow 2023 - Movies (Dec 24th)
The Forge 2024 - Movies (Dec 24th)
Christmas in Maple Hills 2024 - Movies (Dec 24th)
Christmas with the Prince 2023 - Movies (Dec 24th)
Christmas with Jerks 2023 - Movies (Dec 24th)
Christmas at Keestone 2023 - Movies (Dec 24th)
A Novel Christmas 2024 - Movies (Dec 24th)
Chiefsaholic A Wolf in Chiefs Clothing 2024 - Movies (Dec 24th)
A Fireman for Christmas 2024 - Movies (Dec 24th)
Your Friend Nate Bargatze 2024 - Movies (Dec 24th)
SuperKlaus 2024 - Movies (Dec 24th)
Our Christmas House 2024 - Movies (Dec 24th)
The Order 2024 - Movies (Dec 24th)
Werewolves 2024 - Movies (Dec 24th)
Y2K 2024 - Movies (Dec 24th)
Gladiator II 2024 - Movies (Dec 24th)
Moana 2 2024 - Movies (Dec 23rd)
Mufasa The Lion King 2024 - Movies (Dec 23rd)
A Cinderella Christmas Ball 2024 - Movies (Dec 23rd)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
What If... - (Dec 25th)
Are You Smarter Than a Celebrity - (Dec 25th)
A Killing in Tiger Bay - (Dec 25th)
WWE NXT - (Dec 25th)
WWE NXT- Level Up - (Dec 25th)
Hard Knocks - (Dec 25th)
Make Some Noise - (Dec 25th)
Monster High - (Dec 25th)
The Madame Blanc Mysteries - (Dec 25th)
The Beat with Ari Melber - (Dec 25th)
The ReidOut with Joy Reid - (Dec 25th)
University Challenge - (Dec 25th)
All In with Chris Hayes - (Dec 25th)
Alex Wagner Tonight - (Dec 25th)
Occasionally narrated by Humphrey Bogart, he regales us with his story as the down on his luck Hollywood writer/director "Dawes" who alights on a tavern dancer in Madrid. "Maria Vargas" (Ava Gardner) is a woman with striking good looks and an aloofness that he immediately sees stardom in. Luckily his spoilt rich-kid backer "Edwards" (Warren Stevens) agrees to give her a screen test, but a combination of his own fecklessness and some competitive manoeuvring from "Dawes" creates quite an interest, an interest well fanned by PR man "Muldoon" (Edmond O'Brien). We know right from the start that she has died - we turn up at her funeral - and this film has something of a piece of musical vinyl to it. The first half side illustrates her rise to fame and fortune, her marriage and her death. Flip it over and we get a tale of just how she fell in love with "Count Torlato-Favrini" (Rossano Brazzi) and ultimately came a cropper. The constant being the increasing affection "Dawes" and "Vargas" share as their professional paths diverge and their friendship - entirely platonic - solidifies. Gardner could look quite cold sometimes on screen, but here she and Bogart exude a certain warmth through their characters, goaded nicely by the increasingly exasperating and brattish "Edwards" and also by the rather cruel and bullying "Bravano" - another solid effort from Marius Goring. It takes quite a swipe at the film industry - people obsessed with finding the pot of gold at the end of the rainbow - regardless of whether there's any gold or any rainbow, and the threads tie rather poignantly, if a little sadly, at the conclusion. It's a stylishly photographed production that looms great and showcases a strong ensemble of talent.
On a trip to Paris Sally meets Pablo, a tango dancer. He starts teaching her to dance then she returns to London to work on some "projects". She visits Buenos Aires and learns more from Pablo's friends. Sally and Pablo meet again but this time their relationship changes, she realises they want different things from each other. On a trip to Buenos Aires they cement their friendship.
Tom Ripley is a talented mimic, moocher, forger and all-around criminal improviser; but there's more to Tom Ripley than even he can guess.
Brave new steps put Scott's career in jeopardy. With a new partner and determination, can he still succeed?
Arrogant, self-centered movie director Guido Contini finds himself struggling to find meaning, purpose, and a script for his latest film endeavor. With only a week left before shooting begins, he desperately searches for answers and inspiration from his wife, his mistress, his muse, and his mother.
An American oil company sends a man to Scotland to buy up an entire village where they want to build a refinery. But things don't go as expected.
A film director wants to make a politically charged movie, but is hampered by his producer. At the same time, a friend of his commits suicide, and he goes insane.
Linus and David Larrabee are the two sons of a very wealthy family. Linus is all work – busily running the family corporate empire, he has no time for a wife and family. David is all play – technically he is employed by the family business, but never shows up for work, spends all his time entertaining, and has been married and divorced three times. Meanwhile, Sabrina Fairchild is the young, shy, and awkward daughter of the household chauffeur, who goes away to Paris for two years, and returns to capture David's attention, while falling in love with Linus.
During an eviction procedure in a troubled area of Madrid, police officer Dani makes a shocking discovery.
After a yachting accident, a millionaire and his wife are shipwrecked on a desert island along with their former deckhand, Manuel.
Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.