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Blue Bellies Go Home! The Desperado is directed by Thomas Carr and adapted to screenplay by Geoffrey Holmes from the novel written by Clifton Adams. It stars Wayne Morris, Jimmy Lydon, Beverly Garland, Rayford Barnes, Dabbs Greer and Lee Van Cleef. Music is by Raoul Kraushaar and cinematography by Joseph Novak. "There is one dark and grim page in Texas history; it concerns the three years 1870 to 1873, during which Texans suffered and smouldered under the carpetbag administration of Governor E.J. Davis. Texas law was administered and enforced by a despotic organisation called the Texas State police - - known as the "Bluebellies." Constitutional rights were ignored - - such as the right to keep and bear arms, the right to have public meetings, private property rights and most of the other expressions of human dignity and freedom of which Texas has always been so rightfully proud. Naturally they did something about it..." For the whole of its 80 minutes running time, The Desperado crams as much in as it possibly can, producing a mightily strong Western in the process. Stripping it down to the core the story is about a good man forced to turn bad, who does bad things in the name of correcting the wrongs done to him. He's forced to go on the run with a man he can't stand, leaving the woman he loves behind. Hooking up with a famed outlaw, he learns how to become a killer, but always the screenplay has us completely on his side, all while the finer details back in his home town build the other half of the story. A man does his own killing. His time on the run sees a friendship formed, with camp fire bondings prominent, while his backbone is continually tested by certain encounters. The narrative twists and turns to build a compelling case, the odds are firmly stacked against him as a dastardly acquaintance with an ulterior motive moves and shakes to ruin his life. The backdrop is one of bully boy law enforcement and big political change, of a place full of weasels, cowards, liars and idiots, marking this out as a film very dark in nature. Don't put faith in anybody but yourself. Violence and action is never far away either, as director Carr keeps things lively, and Novak's black and white photography is sparkling (TCM hold a lovely print). The acting is hardly grade "A" stuff, but the principal players turn in very effective shows. Morris owns the film as the wise and weary outlaw Sam Garrett, a role you can tell he is very much enjoying playing, while the beautiful Garland works really hard to make her love interest character more than a token offering - and she succeeds. Bonus for Oater fans is Van Cleef popping in for some dramatic impact, where he plays twins! Wonderful. This is very much an under seen film, and personally I'm a little proud to be able to put out on the internet what appears to be the first non professional review. It's different to the usual Wayne Morris fare and I'm convinced that Western lovers who like some dark tints in their films would heartily enjoy this one. See it if you get chance! 8/10
Following the Civil War, headstrong rancher Thomas Dunson decides to lead a perilous cattle drive from Texas to Missouri. During the exhausting journey, his persistence becomes tyrannical in the eyes of Matthew Garth, his adopted son and protégé.
When Tex is brought in to fight in a range war between the cowmen and the nesters, he meets his old outlaw boss Lassiter. He learns Lassiter is behind the feud when Lassiter asks him to join up with his gang. Tex refuses and instead sets out to stop the feud but no one will believe him that Lassiter is responsible.
Die deutsche Fotojournalistin Katharina macht eine Reportage auf einer texanischen Ranch. Dabei verliebt sie sich - trotz aller Gegensätze - in den Chef-Cowboy. Und er sich in sie. Aber hat die Liebe eine Chance?
Having fled to Mexico from the U.S. many years ago for killing his father's murderer, Martin Brady travels to Texas to broker an arms deal for his Mexican boss, strongman Governor Cipriano Castro. Brady breaks a leg and while recuperating in Texas the gun shipment is stolen. Complicating matters further the wife of local army major Colton has designs on him, and the local Texas Ranger captain makes him a generous offer to come back to the states and join his outfit. After killing a man in self-defense, Brady slips back over the border and confronts Castro who is not only unhappy that Brady has lost his gun shipment but is about to join forces with Colton to battle the local raiding Apache Indians.
The neighbors of a frontier family turn on them when it is suspected that their beloved adopted daughter was stolen from the Kiowa tribe.
Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Harrah. Together with a fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water.
John Smith is a mysterious stranger who is drawn into a vicious war between two Prohibition-era gangs. In a dangerous game, he switches allegiances from one to another, offering his services to the highest bidder. As the death toll mounts, Smith takes the law into his own hands in a deadly race to stay alive.
A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
An aging group of outlaws look for one last big score as the "traditional" American West is disappearing around them.
Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.
When brash Texas border officer Mike Norton wrongfully kills and buries the friend and ranch hand of Pete Perkins, the latter is reminded of a promise he made to bury his friend, Melquiades Estrada, in his Mexican home town. He kidnaps Norton and exhumes Estrada's corpse, and the odd caravan sets out on horseback for Mexico.