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Raymond Blancs Royal Kitchen Gardens - (May 12th)
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I don't need cards to figure out who I am, I already know. Lonely Are The Brave is directed by David Miller and adapted for the screen by Dalton Trumbo from the novel "The Brave Cowboy" written by Edward Abbey. It stars Kirk Douglas, Gena Rowlands, Walter Matthau & George Kennedy. Cinematography is from Phillip H. Lathrop and Jerry Goldsmith scores the music in what was his first major studio work. John (Jack) W. Burns is an old school cowboy who refuses to adapt to the new world he finds himself in. Modern technology is alien to him and he would rather perpetually roam with his horse Whiskey than ever contemplate getting in a car or a jet. Upon learning that his dear friend Paul (Michael Kane) is in jail, it's not long before Jack himself finds he's in jail after a barroom fight…..and then promptly sets about breaking Paul and himself out. Only Paul doesn't want to go, he wont jeopardise the family life waiting for him on the outside by becoming a fugitive. Jack escapes and heads for the hills on Whiskey, with the law, and all their modern technology, in hot pursuit. Officially Douglas' favourite film in his long and varied career, Lonely Are The Brave is a wonderfully elegiac picture about a man out of his time. Boosted by impeccable lead performances, a great script and gorgeous black & white photography, it's hard to believe it was met with a lukewarm response upon its release. Set in 1950s New Mexico the film elegantly tells how the frontier is vanishing; to be replaced by progress and technology. Douglas' character, a wandering cowboy, is a symbol of nostalgia, where Trumbo's screenplay offers a cautionary observation about restriction of freedom and individuality. Themes close to home with the writer with the HUAC incidents still fresh in the memory. Lonely Are The Brave could quite easily now be subtitled the Punk Rock Western. There's a number of scenes in the piece that leave indelible marks. A rip snorting fist fight between Jack and a one armed man is high powered and potent, the farewell scene between Jack and Paul's wife Jerry (Rowlands) is sexually charged and wrought with an impending finality. The whole pursuit as Jack and Whiskey scale the rocky hills, pursued by helicopter, car and a vengeful prison guard, is gripping and laced with emotion. While the finale, tho forewarned to us from early in the piece, is one of the most heart tugging moments in Western movie history. Director Miller doesn't have the CV that his work here suggests he should have; given the assured way he crafts this story. For he, along with all the others involved (must mention Goldsmith's evocative score too), has delivered a classy bit of cinema across the board. A pertinent piece about the changing world and the characters left behind in its wake. 9/10
While investigating noises in his house one balmy Texas night in 1989, Richard Dane puts a bullet in the brain of a low-life burglar. Although he’s hailed as a small-town hero, Dane soon finds himself fearing for his family’s safety when Freddy’s ex-con father rolls into town, hell-bent on revenge.
After his plane crashes in Siberia, a Russian dancer, who defected to the West, is held prisoner in the Soviet Union. The KGB keeps him under watch and tries to convince him to become a dancer for the Kirov Academy of Ballet again. Determined to escape, he befriends a black American expatriate and his pregnant Russian wife, who agree to help him escape to the American Embassy.
1920s Germany. Two sisters aged six years, no sooner see their remaining parent buried when they are torn apart. Lotte goes to live with her upper middle class Dutch aunt in Holland, Anna to work as a farm hand on her German uncle's rural farm. The World War II impacts each of their lives and finally in old age they meet again.
In the panicky, uncertain hours before his wedding, a groom with prenuptial jitters and his two best friends reminisce about growing up together in the middle-class African-American neighborhood of Inglewood, California. Flashing back to the twenty-something trio's childhood exploits, the memories capture the mood and nostalgia of the '80s era.
A murder opens up a bleak trail of long buried secrets and small town corruption for a worn out police detective and his squad.
Ray Ponti is a down and out father, a man trapped by his past and frightened of his future. Cly is a streetwise runaway, waiting tables by day and stripping by night. Both are fighting for existence in the slime-bowl of New York's gutters, where drugs and prostitution are the only currency. Ray is in over the top with the Mafia and Cly is emotionally destroyed by the absence of her father. Severence is a gripping story set against the seedy backdrop of New York City, where broken dreams and empty promises litter the streets.
Spiker & Cobakka are two self-confessed 'pieces of Moscow scum' who come to London to rip it off. This is their guide.
Proposed by the President of the United States to fill the post of Secretary of State, Robert Leffingwell appears before a Senate committee, chaired by the idealistic Senator Brig Anderson, which must decide whether he is the right person for the job.
Petra, a young single mother, after divorce and her father's death, tries to free herself and live her life in spite of everyone, looking for the Right One.
Set in New York City's gritty East Village, the revolutionary rock opera RENT tells the story of a group of bohemians struggling to live and pay their rent. "Measuring their lives in love," these starving artists strive for success and acceptance while enduring the obstacles of poverty, illness and the AIDS epidemic.