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I don't need cards to figure out who I am, I already know. Lonely Are The Brave is directed by David Miller and adapted for the screen by Dalton Trumbo from the novel "The Brave Cowboy" written by Edward Abbey. It stars Kirk Douglas, Gena Rowlands, Walter Matthau & George Kennedy. Cinematography is from Phillip H. Lathrop and Jerry Goldsmith scores the music in what was his first major studio work. John (Jack) W. Burns is an old school cowboy who refuses to adapt to the new world he finds himself in. Modern technology is alien to him and he would rather perpetually roam with his horse Whiskey than ever contemplate getting in a car or a jet. Upon learning that his dear friend Paul (Michael Kane) is in jail, it's not long before Jack himself finds he's in jail after a barroom fight…..and then promptly sets about breaking Paul and himself out. Only Paul doesn't want to go, he wont jeopardise the family life waiting for him on the outside by becoming a fugitive. Jack escapes and heads for the hills on Whiskey, with the law, and all their modern technology, in hot pursuit. Officially Douglas' favourite film in his long and varied career, Lonely Are The Brave is a wonderfully elegiac picture about a man out of his time. Boosted by impeccable lead performances, a great script and gorgeous black & white photography, it's hard to believe it was met with a lukewarm response upon its release. Set in 1950s New Mexico the film elegantly tells how the frontier is vanishing; to be replaced by progress and technology. Douglas' character, a wandering cowboy, is a symbol of nostalgia, where Trumbo's screenplay offers a cautionary observation about restriction of freedom and individuality. Themes close to home with the writer with the HUAC incidents still fresh in the memory. Lonely Are The Brave could quite easily now be subtitled the Punk Rock Western. There's a number of scenes in the piece that leave indelible marks. A rip snorting fist fight between Jack and a one armed man is high powered and potent, the farewell scene between Jack and Paul's wife Jerry (Rowlands) is sexually charged and wrought with an impending finality. The whole pursuit as Jack and Whiskey scale the rocky hills, pursued by helicopter, car and a vengeful prison guard, is gripping and laced with emotion. While the finale, tho forewarned to us from early in the piece, is one of the most heart tugging moments in Western movie history. Director Miller doesn't have the CV that his work here suggests he should have; given the assured way he crafts this story. For he, along with all the others involved (must mention Goldsmith's evocative score too), has delivered a classy bit of cinema across the board. A pertinent piece about the changing world and the characters left behind in its wake. 9/10
Based on an AJ Cronin novel, a disgraced doctor exiled to the Canary Islands, meets and falls in love with a married woman.
As the west rapidly becomes civilized, a pair of outlaws in 1890s Wyoming find themselves pursued by a posse and decide to flee to South America in hopes of evading the law.
The story of a gentle-hearted beast in love with a simple and beautiful girl. She is drawn to the repellent but strangely fascinating Beast, who tests her fidelity by giving her a key, telling her that if she doesn't return it to him by a specific time, he will die of grief. She is unable to return the key on time, but it is revealed that the Beast is the genuinely handsome one. A simple tale of tragic love that turns into a surreal vision of death, desire, and beauty.
Terry Malloy is a kindhearted dockworker, and former boxer, who is tricked by his corrupt bosses into leading his friend to death. After falling in love, he tries to leave the waterfront and expose his employers.
A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.
A radio astronomer receives the first extraterrestrial radio signal ever picked up on Earth. As the world powers scramble to decipher the message and decide upon a course of action, she must make some difficult decisions between her beliefs, the truth, and reality.
Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson for four days in the 1960s.
Michel takes up pickpocketing on a lark and is arrested soon after. His mother dies shortly after his release, and despite the objections of his only friend, Jacques, and his mother's neighbor Jeanne, Michel teams up with a couple of petty thieves in order to improve his craft. With a police inspector keeping an eye on him, Michel also tries to get a straight job, but the temptation to steal is hard to resist.
Many loosely connected characters cross paths in this film, based on the stories of Raymond Carver. Waitress Doreen Piggot accidentally runs into a boy with her car. Soon after walking away, the child lapses into a coma. While at the hospital, the boy's grandfather tells his son, Howard, about his past affairs. Meanwhile, a baker starts harassing the family when they fail to pick up the boy's birthday cake.