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Manillaköysi is a cult status holding TV-movie adaptation of the satirical war novel by Veijo Meri. Manillaköysi has an endless list of classic one-liners, but it is still not based on cheap laughs or anything like that. The whole humouristic aspect of it comes from describing the absurdity of war, and the whole military system, by looking it with the eyes of a simple man, who's thrown into it, and who simply does not give a rats ass of it all. The tone of it is not overly preachy or moralizing. If I would have to describe it with one word, it would be: unglamourizing. The main point of Manillaköysi is pretty much compressed in one of the most famous quotes of it: There is nothing supernatural about war, it is just work like anything else.
Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.
A woman who works for a non-governmental organization (NGO) forms a special relationship with a young boy in war-torn Chechnya.
In the carefree days before World War I, introverted Austrian author Jules strikes up a friendship with the exuberant Frenchman Jim and both men fall for the impulsive and beautiful Catherine.
A veteran actress comes face-to-face with an uncomfortable reflection of herself when she agrees to take part in a revival of the play that launched her career 20 years earlier.
Sissi is now the empress of Austria and attempts to learn etiquette. While she is busy being empress she also has to deal with her difficult new mother-in-law, while the arch-duchess Sophie is trying to tell the emperor how to rule and also Sissi how to be a mother.
Terray. This name sounds like a challenge and evokes deep respect in the memory of every mountaineer. For all, Lionel Terray remains forever the "Conqueror of the useless", the example of a generous and mature mountaineer, far from any egocentrism and any ambition. Not only a pioneer and witness to the history of mountaineering, Terray is also remembered as a man and a master more than an athlete. Forty years after the tragic death of this extraordinary mountaineer and guide, who liked to think of himself as a "simple mountaineer", his former friends and the youngest generation of mountaineers come together in this film to celebrate and remember his legacy.
A construction conglomerate, headed by a ruthless millionaire, wants to buy a ski resort that has been a family business for years, but the family does not want to sell. The businessman resolves to get the property, whether they want to sell it or not.
“Getting to the top matters,” or so says veteran alpinist Mark Richey as he prepares to climb Saser Kangri II, at 7,518 meters the world’s second highest unclimbed mountain. In “The Old Breed”, co- director and climber Freddie Wilkinson takes the audience with him on a journey to the heart of one of the last unexplored patches of mountain wilderness: the war-inflicted eastern Karakoram range. As Richey and Steve Swenson, both in their 50s, push the limits of physical health and will power to be the first to claim this final summit, a gripping psychological thriller unfolds.
March 12, 1987. The young French mountaineer Eric Escoffier prepares his equipment, very reduced in material and food. He leaves the next day and intends to chain three north faces in the Alps: Eiger, Matterhorn and Grandes Jorasses. The ascent of the first summit, the Eiger is slow, difficult and full of pitfalls. It takes 17 hours to reach it. Without recognizing the terrain -he prefers to improvise- the mountaineer continues through the Matterhorn. When night falls, anxiety is felt on Zermatt's side. Help is organized to pick him up. Despite his refusal to return, Escoffier is finally hoisted. Christophe Profit, a few hours earlier, managed the chain of three summits.