Die Hälfte der Welt gehört uns - Als Frauen das Wahlrecht erkämpften

Amidst an onslaught of attacks from a sitting President and the deadly threat of a global pandemic, local election administrators work around the clock to secure the vote for their community. Rhode Island’s election teams take center stage in this unprecedented voting adventure.

Oscar-winner Michael Moore dives right into hostile territory with his daring and hilarious one-man show, deep in the heart of TrumpLand in the weeks before the 2016 election.

Wild About Hank is a documentary that covers the story of Hank, a cat, who ran for the Virginia U.S. senate seat in 2012 against George Allen and Tim Kaine. While the campaign began as satire, it turns into a more serious effort to raise awareness about both politics and animal welfare.

This short satirical film, created entirely from archival footage, is about the British Empire—on which the sun never sets. The majority of the humour and wit is found in the interplay between image and sound: what we see during the formative days of the Empire, and what famous servants had to say about it. Edited by Oscar®-nominated experimental filmmaker Arthur Lipsett (Very Nice, Very Nice).

Except for a few brief evocations of Debord’s “art” during the first ten minutes or so, most of this “antitelevisual” video consists of television clips illustrating the extreme degradation and delirium of the present society. It’s a powerful denunciation, but not so deft and subtle as Debord’s films, perhaps because it was made during the worsening stages of his final illness. Presumably intended as a parting shot at the society he detested, it was completed shortly before his death in November 1994 and shown January 9, 1995, on a French cable channel along with La Société du Spectacle and Réfutation de tous les jugements (whence the video copies that have since circulated).

An updated version of John Mulholland’s making-of documentary that explores the remarkable 1952 film starring Gary Cooper, and the gripping story behind its troubled production. Though High Noon was originally seen as an attack on the blacklisting witch hunt gripping Hollywood at the time, it is now recognized as a damning portrait of civic complacency, democracy in peril. High Noon is today considered a classic of American cinema.

After the insurrection erupted in Libya in the spring of 2012, more than a million people flocked to neighboring Tunisia in search of a safe haven from the escalating violence. When a massive refugee camp was hastily constructed near the Ras Jdir border checkpoint in Tunisia, a trio of filmmakers carried their cameras in and began filming with no agenda. This on-the-fly chronicle of the camp's installation, operation, and dismantling captures a postmodern Babel complete with a multinational population of displaced folk, a regime of humanitarian aid workers, and international media that broadcasts its “image” to the world. Visually stunning and refreshingly undogmatic, Babylon reveals a rarely seen aspect of the Arab Spring.

Intent on escaping her coastal bubble, Alexandra Pelosi sets out on a cross-country trip to engage in conversations with fellow Americans in an effort to gain an unfiltered understanding of other perspectives.

Christof Wackernagel, best known in Germany as an actor and former member of the Red Army Faction ("RAF") lives in Mali. In his compelling portrait, Jonas Grosch shows a man who simply cannot stand still if he senses injustice. The courage to stand up for one’s beliefs coupled with vanity? However one chooses to look at it, it is easy to imagine what made him connect with the "RAF". With his irrepressible will for freedom, Christof Wackernagel gets entangled in the horrors of day-to-day life in Africa.

Documentary about the "Britain First" anti-Muslim nationalist party. Follows the two leaders of the party and goes behind some of its campaigns to investigate if it really lives up to its claims not to be racist and violent.