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Initially I thought it was a movie about A.I. since it's a catchy word in tech these days. The movie moves in a slow pace and sometimes I felt a little bored, but the ending was nice. Soundtrack was great. The robots could use a little more CGI since you could clearly see it was a person behind them. I would rate the movie 7/10. It was entertaining.
Wow! It’s rare for a film to render me completely speechless, but this one did just that. “Archive” is a visually stunning and emotionally moving film. The set design is immersive and transports the viewer into the world of the story. Theo James delivers his best performance yet. The film does an excellent job of telling its story through visuals rather than relying on heavy dialogue, which adds to its impact. The little interactions with the robots were exceptional; I’ve never seen anything close to it on the main screen. The robot’s ability to convey such depth of emotion despite its lack of human facial characteristics is remarkable. Very few films do it so convincingly, so props to the director and the VFX crew. My major criticism is the film’s runtime. At times, the story feels drawn out, and a tighter, shorter runtime would have improved the overall pacing. Unfortunately, most people have missed the deeper layers in this film, as at least the ratings portray. Nevertheless, “Archive” is a must-see for fans of science fiction. ___ Rating: 7.0/10 (Good)
After tragedy strikes, a meek Ruby Oliver enters a broken VR game for a last chance to see the dead. Little does she know that this game treats all girls as a virus as she fights to save herself.
Ken Harrison is an artist that lives to make sculptures. One day he is involved in a car accident, and is paralyzed from his neck down. All he can do is talk and move his head, and he wants to die. Whilst he is in hospital he makes friends with some of the staff, and they support him when he goes to trial to be allowed to die.
A Greek man falls for an injured French woman. When he is informed of her death, he continues to sing under her hospital window every night.
"REM" is an Afrikaans Sci-Fi Drama about a grief-stricken father, Dehan, who becomes obsessed with the memory of his late wife, Lena, through the use of a high-tech, dream-altering device, the REM. This unhealthy obsession leads to Dehan struggling to reconnect with his young son, Erich, who survived the car accident that caused Lena's death. Dehan must decide to face and to confront his grief, reconnecting with his son, or to become so immersed in his fantasy dream-world that he loses touch with reality, and Erich, altogether.
Nick, a gay, HIV-positive architect, begins to display severe symptoms of AIDS and makes preparations to kill himself before he is unable to function normally. He arranges a party to reconnect and say goodbye to his closest friends and his confused parents. But when his ex-partner, Brandon, a television director who left Nick when he was diagnosed with HIV, shows up, what was supposed to be a celebratory event becomes much more difficult for everyone.
When tragedy strikes his remarkable robot and the beautiful girl next door, lonely teenage genius Paul tries to save them by pushing technology beyond its known limits into a terrifying new realm.
An anthology of various tales told in various styles with robots being the one common element among them.
Dr. Bill Cortner and his fiancée, Jan Compton, are driving to his lab when they get into a horrible car accident. Compton is decapitated. But Cortner is not fazed by this seemingly insurmountable hurdle. His expertise is in transplants, and he is excited to perform the first head transplant. Keeping Compton's head alive in his lab, Cortner plans the groundbreaking yet unorthodox surgery. First, however, he needs a body.
A brutal assault changes Marieke's life. She leaves her familiar city rhythms for the solitude of a isolated house in the countryside. Her irrational fears on the frozen farm are a constant struggle. As spring's orchestra begins, her curiosity for new things that cover the cold rot of winter pull her out of the suffocating interior of her mind. Slowly she accepts the help of John, her neighbour.
Judy O'Brien is an aspiring ballerina in a dance troupe. Also in the company is Bubbles, a brash mantrap who leaves the struggling troupe for a career in burlesque. When the company disbands, Bubbles gives Judy a thankless job as her stooge. The two eventually clash when both fall for the same man.