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“The Assistant,” a timely story about abuse of power in the workplace, left me shaken and angry. This quietly devastating film about a young assistant (Julia Garner) to a prominent entertainment executive is inspired by the Me Too movement (and clearly, the bad actions of Harvey Weinstein). The story accurately portrays the weighty emotional toll that stems from knowing something isn’t quite right, but you are powerless to do anything about it. Jane (Garner) is just starting out in her career. She puts in long hours at the New York office of a powerful film exec, and she takes continual emotional and verbal abuse from her boss (whom we never see). There’s nothing glamorous or rewarding about her job, but those around her give constant reminders that she is the lucky one simply because she is employed there. Jane is faced with hostile, degrading comments from almost everyone she comes in contact with, but she quietly goes about her business and tries her best to ignore it. Writer / director Kitty Green chooses to center her methodical, orderly narrative around a female assistant, which makes the film all the more powerful. She uses point of view shots that make it feel as if you’re right there in the office, stepping directly into the character’s shoes. The story takes place over one day in a drab office as Jane begins to see a pattern of events that don’t add up. She’s someone who doesn’t quite know enough to have a clear, undeniable picture of what’s going on, yet she still knows something definitely isn’t quite right. It’s unsettling and effective, and it something to which young women (and some young men) everywhere will sadly relate. When Jane tries to do the right thing, she’s stonewalled by a Hollywood culture where abuse is tolerated, joked about, and covered up — in other words, it’s accepted. She watches as her colleagues joke about these escapades while laughing off her concerns. An unhelpful HR director (the terrific Matthew Macfadyen) dismisses her complaints as “bullshit” and a product of “jealousy,” which is infuriating to watch because it feels so steeped in truth. Even more disturbing is that while eyes have been opened thanks to the “Me Too” movement, this gross misconduct is still going on in offices all over the world. Newsflash to those working in the entertainment industry (and elsewhere): if you don’t speak up, or if you laugh about or shrug off bad behavior, you’re part of the problem. “The Assistant” is a sobering reminder that just because “that’s the way it is” doesn’t make it right.
You'd be hard-pressed to find a film that moves with such unassuming intensity as 'The Assistant', a film that demands full attention from its audience to tell a frustratingly normalised story of frustrating normalised harassment. It's a quiet film brimming with power, one that is not to be missed. - Ashley Teresa Read Ashley's full article... https://www.maketheswitch.com.au/article/review-the-assistant-meek-and-mad
When four teenage drug dealers and their boss violate the altar of a crack addicted Santeria prophetess, their lives become unhinged when she predicts one of them will die and one of them will be incarcerated within a day.
Liam wakes from a car crash with no memory of who he is. As he makes his way into town to look for help, he finds only dead bodies, all with strange pale eyes. Liam's first assessment is that a virus is present in the air, but he soon discovers the horrible truth: anyone who comes within a 50-foot radius of him dies instantly.
An 18th birthday mushroom trip brings free-spirited Elliott face-to-face with her wisecracking 39-year-old self. But when Elliott’s "old ass" starts handing out warnings about what her younger self should and shouldn't do, Elliott realizes she has to rethink everything about family, love, and what's becoming a transformative summer.
A Los Angeles policewoman's partner has her pose as a stripper to lure a killer of strippers.
Following the death of her mother Tessa (Pamela Rabe), a young woman, returns after many years to the weather-beaten family home on the shores of Sydney's Botany Bay. But the old family home begins to bring old wounds more and more to life. The story unfolds through flashbacks yet as it progresses the flashbacks merge into the present as it becomes apparent that the situation Tessa has returned to is very much the result of that which passed before.
A death row inmate turns for spiritual guidance to a local nun in the days leading up to his scheduled execution for the murders of a young couple.
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
For Lieutenant Pete 'Maverick' Mitchell and his friend and co-pilot Nick 'Goose' Bradshaw, being accepted into an elite training school for fighter pilots is a dream come true. But a tragedy, as well as personal demons, will threaten Pete's dreams of becoming an ace pilot.
A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.
A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.