Lost in Tomorrow 2023 - Movies (Dec 24th)
Christmas in Maple Hills 2024 - Movies (Dec 24th)
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A Novel Christmas 2024 - Movies (Dec 24th)
The Forge 2024 - Movies (Dec 24th)
Chiefsaholic A Wolf in Chiefs Clothing 2024 - Movies (Dec 24th)
SuperKlaus 2024 - Movies (Dec 24th)
Our Christmas House 2024 - Movies (Dec 24th)
The Order 2024 - Movies (Dec 24th)
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Gladiator II 2024 - Movies (Dec 24th)
Moana 2 2024 - Movies (Dec 23rd)
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A Cinderella Christmas Ball 2024 - Movies (Dec 23rd)
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Bird 2024 - Movies (Dec 23rd)
The Well 2023 - Movies (Dec 23rd)
Since Yesterday The Untold Story of Scotlands Girl Bands 2024 - Movies (Dec 23rd)
The Young and the Restless - (Dec 24th)
James May and the Dull Men - (Dec 24th)
Gogglebox - (Dec 24th)
20 Minutes - (Dec 24th)
Homestead- The Series - (Dec 24th)
The Count of Monte Cristo - (Dec 24th)
Gutfeld - (Dec 24th)
Hannity - (Dec 24th)
Jesse Watters Primetime - (Dec 24th)
The Ingraham Angle - (Dec 24th)
Special Report with Bret Baier - (Dec 24th)
The Five - (Dec 24th)
The 11th Hour with Stephanie Ruhle - (Dec 24th)
The Journal Editorial Report - (Dec 24th)
The Tucker Carlson Show - (Dec 24th)
The Chase Australia - (Dec 24th)
Letters and Numbers - (Dec 24th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
There may be a movie here, but you won't be able to see it. This is one of those movies where the advent of HDR had the crew go, "Well, let's turn off all the lights and fire the post-production crew." In other words, it's impossible to see what's going on. Absolutely unwatchable.
"I.M. Fletcher" (John Hamm) arrives at a posh apartment procured for him by his aristocratic Italian girlfriend to discover the body of a strange young woman lying on the floor. He calls the cops and is soon the prime suspect of the laconically effective "Insp. Monroe" (Roy Wood Jr.) and his enthusiastic new sidekick "Griz" (Ayden Mayeri). It seems to "Fletch" that the only way he can prove his innocence is to use his legendary investigative journalism skills to get to the bottom of it all. Meantime, his gal at home is trying to fend off her grasping step-mother after her father is kidnapped and the ransom is a Picasso painting that is one of nine that was stolen from their home. Maybe the solution to these mysteries lies in finding the paintings? That trail introduces him to the rather germo-phobe art broker "Horan" (Kyle MacLachlan) and soon an intricate game of cat and mouse is afoot! Essentially this is all about Hamm, and for the first half hour he manages to amusingly, and quite deftly, bounce his character off the others - including the glamorous "Andi" (Lorenza Izzo); her lively nemesis "Countess Sylvia" (Marcia Gay Harden) and his rather flakey next door neighbour "Eve" (Annie Mulolo). That characterisation quickly starts to wear a bit thin, though, and the latter parts of this comedy are pretty derivative and well-travelled with a few set-piece comedy enterprises that start to look more and more like a few conjoined episodes of a television sitcom. Hamm has good timing with his delivery, and his one scene with the scatty Mumolo stands out for me, but otherwise we've seen this all before. Agatha Christie it isn't!
What an amazing film. Love the aesthetic.
I really enjoyed this film. It was funny and campy and Hamm was great. It was fun and didn't take itself too seriously.
**By: Louisa Moore / www.ScreenZealots.com** I tend to be skeptical when it comes to a studio reboot of a film franchise, but “Confess, Fletch” breathes fresh, new life into the series. Based on the Gregory Mcdonald books, the movie sees Jon Hamm stepping into the role that was made famous in the mid-80s by Chevy Chase. The result is a sharp and clever elevated murder mystery for adults. Investigative journalist Irwin Fletcher (Jon Hamm) is always getting himself into trouble. This time, he becomes the prime suspect in a murder case while searching for the truth behind a stolen multi-million dollar art collection. In order to prove his innocence to a veteran police detective (Roy Wood Jr.), Fletch must eliminate the long list of suspects. He uses his skills to seek out and question a missing playboy (John Behlmann), a Countess (Marcia Gay Harden), an eccentric germophobe art dealer (Kyle MacLachlan), a wacky bohemian neighbor (Annie Mumolo), and even his own Italian girlfriend (Lorenza Izzo) on his quest to uncover the real culprit. Director Greg Mottola (who also co-wrote the screenplay with Zev Borrow) nails the tone of the original “Fletch” films without making his project feel like a cheap wannabe rip-off. Gone are the goofy disguises made so popular in the 80s films, and Hamm’s version of Fletch captures the charming arrogance of Mcdonald’s literary character. Fletch’s unorthodox methods are still in play, yet he’s not portrayed as a bumbling idiot. In peak laid back mode, Hamm reaches near perfection in the lead role as the resourceful and witty reporter. It’s a performance that I want to see more of in the future, and that bodes well for subsequent sequels. Hamm’s charisma serves him well in his flawless delivery of the script’s one-line zingers, and his comedic timing is precise yet natural. Those who have a low tolerance for snarky, smart humor will likely be more annoyed than entertained, however. I was surprised just how much I enjoyed “Confess, Fletch.” It’s so much better than anyone could have ever expected, the supporting cast is terrific, the mystery is entertaining (if ultimately predictable), and the humor is on point. In other words, it’s a lot of fun.
I really liked this movie. It went against my expectations right out of the gate. I don’t know if I would like the original Fletch film with ChevyChase as much as I did as a younger viewer, but I remember enough to say that it was all Fletch. Not so much here. Chevy’s Fletch dominated the story, perhaps every scene. I still remember his sarcastic Oh good, the police, when a corrupt cop showed up. This Fletch movie is more mature, with more depth. Wisecracking Fletch is still at the center of it, of course, but mostly I enjoyed the scene-stealing cops. There is the exhausted new father, “Slow Motion” Maurice, who talked like a tough cop who disbelieved Fletch and reminded him more than once that he was the main suspect, but who had the patience to wait before arresting him. Perhaps really knew someone was setting him up. And the accident-probe, clumsy Griz, who bumbled around but who ultimately proved to be the brains of the detective team. They played off each other and Fletch well, and I would gladly watch a spin-off show just with them. The plot is dense in a way, and a piece of critical information is hidden from us for most of the film, but it is all in fun so who really cares? What am I, reviewing for the New York Times or the like? No. Suffice to say that it was entertaining and I suspect I will watch it again someday.
Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.
A murder in Paris’ Louvre Museum and cryptic clues in some of Leonardo da Vinci’s most famous paintings lead to the discovery of a religious mystery. For 2,000 years a secret society closely guards information that — should it come to light — could rock the very foundations of Christianity.
A psychologist is sent to a space station orbiting a planet called Solaris to investigate the death of a doctor and the mental problems of cosmonauts on the station. He soon discovers that the water on the planet is a type of brain which brings out repressed memories and obsessions.
Heroin addict Mark Renton stumbles through bad ideas and sobriety attempts with his unreliable friends - Sick Boy, Begbie, Spud and Tommy. He also has an underage girlfriend, Diane, along for the ride. After cleaning up and moving from Edinburgh to London, Mark finds he can't escape the life he left behind when Begbie shows up at his front door on the lam, and a scheming Sick Boy follows.
A true story about Frank Abagnale Jr. who, before his 19th birthday, successfully conned millions of dollars worth of checks as a Pan Am pilot, doctor, and legal prosecutor. An FBI agent makes it his mission to put him behind bars. But Frank not only eludes capture, he revels in the pursuit.
July 1, 2000. British 21-year-old Lucie Blackman goes missing in Tokyo, sparking an international investigation — and an unyielding quest for justice.
The Toro cheerleading squad from Rancho Carne High School in San Diego has got spirit, spunk, sass and a killer routine that's sure to land them the national championship trophy for the sixth year in a row. But for newly-elected team captain Torrance, the Toros' road to total cheer glory takes a shady turn when she discovers that their perfectly-choreographed routines were in fact stolen.
An arrogant, high-powered attorney takes on the case of a poor altar boy found running away from the scene of the grisly murder of the bishop who has taken him in. The case gets a lot more complex when the accused reveals that there may or may not have been a third person in the room.
A snobbish investor and a wily street con-artist find their positions reversed as part of a bet by two callous millionaires.
Paris, 1967. Disillusioned by their suburban lifestyles, a group of middle-class students, led by Guillaume (Jean-Pierre Léaud) and Veronique (Anne Wiazemsky), form a small Maoist cell and plan to change the world by any means necessary. After studying the growth of communism in China, the students decide they must use terrorism and violence to ignite their own revolution. Director Jean-Luc Godard, whose advocacy of Maoism bordered on intoxication, infuriated many traditionalist critics with this swiftly paced satire.