Ghislaine Maxwell: Filthy Rich

A document of days in and out of New York City and Philadelphia.

A look at NYC’s gentrification and growing inequality in a microcosm, Class Divide explores two distinct worlds that share the same Chelsea intersection – 10th Avenue and 26th Street. On one side of the avenue, the Chelsea-Elliot Houses have provided low-income public housing to residents for decades. Their neighbor across the avenue since 2012 is Avenues: The World School, a costly private school. What happens when kids from both of these worlds attempt to cross the divide?

A box found in an abandoned storage unit unearths a time capsule of correspondences from a forgotten era: the underground drag scene in 1950s New York City. Firsthand accounts and newly discovered footage help cast a long overdue spotlight on the unsung pioneers of drag.

Every day, at Lapeyronie hospital in Montpellier, France, a psychologist and a psychiatrist treat pedophiles and child sexual offenders. Behind closed doors, hidden away from sight, they listen to their stories, help put words to acts and impulses. And they fight for basic prevention systems to be funded and put into practice.

A Dog's Life: A Dogamentary, a wacky and poignant documentary about the positive effects of the bond between dogs and humans, told through the story of Gayle Kirschenbaum and her dog Chelsea. Chelsea rigged with a "doggie cam", this couple hit the streets of NY looking for love. 9/11 happens. Chelsea emerges as a healing force as a therapy dog.

Portrait of the last year of the life of famous New York drag queen Consuela Cosmetic.

Martin Scorsese and the Rolling Stones unite in "Shine A Light," a look at The Rolling Stones." Scorsese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.

Third installment in Stefan Nadelman's ongoing short doc series about his father and the infamous Terminal bar in NYC.

Fourth short film in Stefan Nadelman's look at the time his father spent at The Terminal Bar in NYC. This time Nadelman shows the pictures he took of the garbage can directly outside which serves as yet another portal into the streets at that time.

From 1973-1981, bartender Sheldon Nadelman shot over 1,500 black and white photographs of his customers at the Terminal Bar, located in midtown Manhattan. These are their stories as recollected by Sheldon 25 years after the bar closed its doors for good in 1982. Last Call examines a broad swath of the bar's clientele, some of them regulars, some of them one-offs and uncovers these never-before-heard stories of a bar community that would otherwise be forgotten.