Cassis

Openland is an art film guided by issues surrounding micro states and its derivative definitions. Through intertwining interviews, meta-narratives, and digital landscapes, Openland unfurls a dialogue between consciousness, individuality and collectivity.

Take an epic voyage over the remote island nation of New Zealand, the last habitable landmass to be discovered on the planet. No bigger than the state of Colorado, this small country offers an incredibly diverse landscape view that changes dramatically with each mile. From snow-capped mountains to sandy beaches, and from the glacier-carved Fiordland National Park to the crater lake of Mount Ruapehu, New Zealand is a land of extremes. It's a place where fire clashes with ice and people are always pushing the limits.

Take a cross-country flight over Ireland's natural wonders and ancient ruins. In this spectacular overview of the historically significant Emerald Isle, we soar over Neolithic tombs of the Celtic era, medieval castles of the Vikings, and modern cities humming with life. From the tower that inspired a novelist to the ancestral home of a famous stout, we explore the sites, the people, and the milestones of this unique gem of Western Europe.

Paris, 1940. German occupation forces create a new film production company, Continental, and put Alfred Greven – producer, cinephile, and opportunistic businessman – in charge. During the occupation, under Joseph Goebbels’s orders, Greven hires the best artists and technicians of French cinema to produce successful, highly entertaining films, which are also strategically devoid of propaganda. Simultaneously, he takes advantage of the confiscation of Jewish property to purchase film theaters, studios and laboratories, in order to control the whole production line. His goal: to create a European Hollywood. Among the thirty feature films thus produced under the auspices of Continental, several are, to this day, considered classics of French cinema.

During the last forty years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever-changing humanity. He has witnessed the major events of our recent history: international conflicts, starvations and exodus… He is now embarking on the discovery of pristine territories, of the wild fauna and flora, of grandiose landscapes: a huge photographic project which is a tribute to the planet's beauty. Salgado's life and work are revealed to us by his son, Juliano, who went with him during his last journeys, and by Wim Wenders, a photographer himself.

Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest ("selva"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.

"What could be more unsettling than a man close to death whose profound arrogance drives him relentlessly to hang onto both his power and his writing, to the bitter end?" In the twilight of his second seven-year term, François Mitterrand was alone. Ravaged by illness and abandoned by a large majority of the Socialist Party, who would not forgive him for the disastrous outcome of the March 1993 elections, the Head of State was preparing to tackle a second round of cohabitation with the right wing. However a series of unexpected tragedies and revelations would arise, casting a shadow over the end of his reign…

In a series of long interviews, 12 prime ministers talk about their experience in the upper echelons of power. The function of prime minister, torn between the president and the parliament, appointed without necessarily being elected but responsible for everything, is at the center of debate. With the exception of Jacques Chirac (1974-1976 and 1986-1988), deliberately left out because of his image as French President, those who governed France for the past 35 years agreed to discuss the exercise of power, as seen through archive footage, but also how they experienced it personally. Filmed in the same studio and sitting in the same chair, 12 French prime ministers talk freely about their time in office, from their appointment until their resignation.

The first mountains that the Amsterdam-based Colombian artist and filmmaker Ana Bravo Pérez saw in the Netherlands were black. In this experimental work, she follows the stench of the coal in the port of Amsterdam back to its origin: an open wound in northern Colombia. The mine is located in the territory of the Wayuu and has a huge impact on the indigenous people.

The duel between Pierre Péan and Edwy Plenel revisits some of the great moments of French political life and tells the story of more than 30 years of journalism in France. From distrust to attack, from revenge to caricature, the two icons of French journalism, Pierre Péan and Edwy Plenel, have always been at war. Everything opposes them: their working methods, their vision of the profession and even their way of being. Pierre Péan has always worked alone, in secret, while Edwy Plenel was looking for his place in the collective, heading for the upper echelons of the media... In the 1980s, both men became stars of journalism. In the 1990s, with his best-selling investigations, Péan invented his own independent business model, while Plenel became editor of Le Monde. Their exceptional careers have changed the way news is reported in France