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I'm right back where I started. Nowhere!! Framed (AKA: Paula) is directed by Richard Wallace and adapted to screenplay by Ben Maddow from a story written by Jack Patrick. It stars Glenn Ford, Janis Carter, Barry Sullivan and Edgar Buchanan. Music is by Marlin Skiles and cinematography by Burnett Guffey. Mike Lambert (Ford), down on his luck and fed up of getting nowhere in life, meets sultry waitress Paula Craig (Carter) and things will either get better or worse? There's a road sign in this that grabs the attention, it reads DANGEROUS CURVES! Now that initially is in reference to a perilous road - with roads featuring prominently as dangerous parts of the play - but it quite easily could be, and in all probability is, a sneaky reference to Janis Carter's femme fatale. Paula Craig in Carter's hands dominates the film, not that Ford or Sullivan are pointless fodder, but it is both the actress and her character's show. After a burst of pacey excitement opens the pic, action moves on to a cafe, from where we are introduced to Guffey's talents, from this point on almost everything is atmospherically shot. Slats and shads, lamps and cell bars, all get the Guffey lens treatment that's sitting superbly with the unfolding psychological dynamics. Very early on we are delivered two characters who basically are a cheater and a viper, while the main man of our story is a guy who's struggling with his identity in life. He also likes a drink, but with that comes memory loss, which is never a good thing when you are holed up in a noirville town. Stripping it back for examination you find the story is very simple, which is surprising and a little disappointing given the screenplay writer also did The Asphalt Jungle. Yet the characters and the actors performances, helped by some classy tech work, more than compensates - that is until the finale, which for some (me for sure) is a bad choice for character tone. But it's not a film killer, for we get everything from orgasmic glee shown in the process of a callous crime being committed, to characters either in need of a soul or facing their days of judgement. 7/10
Glenn Ford is the penniless mining engineer "Mike" with a penchant for the whisky, who arrives in a small town and is soon ensnared in the intriguing web of "Paula" (Janis Carter) who wants to use him to help her and bank manager boyfriend "Price' (Steve Sullivan) to hoodwink the genial old prospector "Cunningham" (Edgar Buchanan) who might just have discovered a large vein of silver. Things don't quite go to plan for our femme-fatale as she really starts to fall for "Mike", and when her boyfriend is found coshed to death, and the old man is charged (we know all along who did what to whom) - some tough choices have to be made by both of them. It's an OK film, this - but it all just takes too long to get going; the story moves along in slightly repetitive fits and starts before an ending I found rather underwhelming. There isn't much chemistry between Ford or Carter - whose character starts out strongly but reverts to a rather flimsy type by the end - and but for a few typically lively efforts from Buchanan, this film is pretty unmemorable.
Mrs. Elizabeth Bright Murdock hires Marlowe to find an old rare coin, the Brasher Doubloon, that belonged in her deceased husband's collection. Marlowe begins investigating, but quickly finds himself entangled in a series of unexplained murders.
Private eye Phillip Marlowe wants to get out of the detective racket and into crime writing. But when he's called to the office of editor Adrienne Fromsett, it's not to talk about his story ideas — she wants him to locate the missing wife of her boss, Mr. Kingsby. The assignment quickly becomes complicated when bodies start turning up.
Kathy leaves the newspaper business to marry homicide detective Bill, but is frustrated by his lack of ambition and the banality of life in the suburbs. Her drive to advance Bill's career soon takes her down a dangerous path.
Ambulance driver Frank Jessup is ensnared in the schemes of the sensuous but dangerous Diane Tremayne.
While doing a friend a favour and searching for a runaway teenager, a police detective stumbles upon a bizarre band of criminals about to pull off a bank robbery. The screenplay by Christopher Cannan and Steve Barancik is based on the short story "The House in Turk Street" by Dashiell Hammett.
Two strangers meet on a train. They’ve never met before. Both of whom have someone they’d like to murder. So, they swap murders. A psychopath shares this concept with tennis star Guy Haines, whose wife refuses to get a divorce. He agrees, thinking it is a joke. But now his wife is dead, Haines finds himself a prime suspect and the man wants Guy to kill his father.
After a whirlwind romance in Mexico, a beautiful heiress marries a man she barely knows with hardly a second thought. She finds his New York home full of his strange relations, and macabre rooms that are replicas of famous murder sites. One locked room contains the secret to her husband's obsession, and the truth about what happened to his first wife.
A hack screenwriter writes a screenplay for a former silent film star who has faded into Hollywood obscurity.
Laiila’s journey that looking for an answer to the questions that plagued her mind. In the middle of her journey, Ale comes to help Laiila to define what happiness truly is.