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Suicide Squad Isekai - (Jul 4th)
Makeup X Breakup - (Jul 4th)
Breaking New Ground - (Jul 4th)
The Boys - (Jul 4th)
Royal Rules of Ohio - (Jul 4th)
Fake Profile - (Jul 4th)
Gutfeld! - (Jul 4th)
The Five - (Jul 4th)
The Ingraham Angle - (Jul 4th)
Jesse Watters Primetime - (Jul 4th)
Hannity - (Jul 4th)
Criminal Minds - (Jul 4th)
The Real CSI- Miami - (Jul 4th)
Raw Talk - (Jul 4th)
Alex Wagner Tonight - (Jul 4th)
The Last Word with Lawrence ODonnell - (Jul 4th)
Dimension 20 - (Jul 4th)
All Elite Wrestling- Dynamite - (Jul 4th)
Reginald the Vampire - (Jul 4th)
Alien Encounters- Fact or Fiction - (Jul 4th)
I have always wondered how it must have felt to make a 'wartime' movie about a war you're currently living in, and lately I stumbled upon a quintet of films made during the Second World War with Errol Flynn, of all people, battling the Nazis. Because of it both being by Turner Classic Movies AND had one film directed by Lewis Milestone (with one of the finest anti-war statements ever made, 'All Quiet on the Western Front', under his belt) and the others by none other than Raoul Walsh, I was, pardon the pun, 'in like Flynn'. But as Flynn had been one of my favourite actors of the period simply on the basis of 'The Adventures of Robin Hood', I honestly would have gone for it anyway. Yeah, you could say I love older movies! =) My best friend Earl remarked, 'By the end of WWII, they used up all of the good film titles,' and he probably has a point there, at least with this one, still getting quality usage THREE generations later, and with Mel Gibson to boot. But this was weird for a war film (looking at the resistance put up by a village of 800 Norwegians) bizarrely cast (with Ann Sheridan, Walter Huston, Judith Anderson and Ruth Gordon--all as the GOOD guys!), and had taped speeches by BOTH Churchill and Roosevelt. I read notorious British film critic Leslie Halliwell's review that everything was decent about the film except that it starred Flynn. He couldn't have been more wrong. I'm greatly looking forward to examining the other four films of the set, all directed by one of the most underrated American directors of all time--Raoul Walsh.
This has to be one of my favourite wartime dramas. Certainly it's a bit of a propaganda piece, but this depiction of a peaceful Norwegian fishing village suddenly put under the jackboot of their Nazi oppressors is remarkably potent - even now. Errol Flynn ("Gunnar") takes top billing, but that's really only nominal - it's all about an effective ensemble cast with the likes of Ann Sheridan ("Karen"), Walter Huston ("Stensgard") and the poignant scenes from Morris Carnovsky's educated - and therefore immensely threatening "Andresen" whose treatment by Helmut Dantine's suitably menacing and ruthless "Koenig" are easily the most potent amongst the scenarios in this otherwise rather savage indictment of the bullying and torment suffered by the townsfolk - some even asked to dig their own mass grave. It doesn't shy away from the "Quisling" issue - every town had one, and shows us something of the difficulties faced by his friends and family as it appears that he is playing both sides. There is plenty of stoic resistance - both in the pulpit from pastor "Aalesen" (Richard Fraser) and from this community at large - acts ranging from petty defiance to more effective and lethal responses. These all culminates in a conclusion that is suitably fitting with violence being deservedly visited on them so familiar with it. It's about faith, trust, loyalty and determination and as films of this genre go, I think it takes quite some beating.
Eyal, an Israeli Mossad agent, is given the mission to track down and kill the very old Alfred Himmelman, an ex-Nazi officer, who might still be alive. Pretending to be a tourist guide, he befriends his grandson Axel, in Israel to visit his sister Pia. The two men set out on a tour of the country, during which Axel challenges Eyal's values.
Semi-retired Michigan lawyer Paul Biegler takes the case of Army Lt. Manion, who murdered a local innkeeper after his wife claimed that he raped her. Over the course of an extensive trial, Biegler parries with District Attorney Lodwick and out-of-town prosecutor Claude Dancer to set his client free, but his case rests on the victim's mysterious business partner, who's hiding a dark secret.
A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
Maria marries a young soldier in the last days of World War II, only for him to go missing in the war. She must rely on her beauty and ambition to navigate the difficult post-war years alone.
The lifelong friendship between Rafe McCawley and Danny Walker is put to the ultimate test when the two ace fighter pilots become entangled in a love triangle with beautiful Naval nurse Evelyn Johnson. But the rivalry between the friends-turned-foes is immediately put on hold when they find themselves at the center of Japan's devastating attack on Pearl Harbor on Dec. 7, 1941.
A dramatic history of Pu Yi, the last of the Emperors of China, from his lofty birth and brief reign in the Forbidden City, the object of worship by half a billion people; through his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just another peasant worker in the People's Republic.
In the early years of the 20th century, Mohandas K. Gandhi, a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of 'passive resistance', endeavouring to win freedom for his people without resorting to bloodshed.