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The Cheap Seats - (Jun 3rd)
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American Ninja Warrior- Ninja vs. Ninja - (Jun 3rd)
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Let me start off by saying that I completely understand all of the hate this film is getting, and that's because for the first half of the film I hated it too. For too much of this film, a lot of the characters are just unlikable slobs . . . especially Mel Gibson's character of Bill Long. Also, the story plays out . . . well, it plays out terribly for the first half of the film. It wasn't until later in the film when Stuart Long decides to become a preacher that I was actually invested, and why's that? That's because Long was an absolute piece of trash that I didn't want to watch for the first half of the film. This does not go without saying that by the end I liked Stuart Long's character in the film, but I couldn't like him for the first half. The film isn't precisely terrible, but it isn't good. The third act is solid, but everything in the first act is bad, and the second where Stu is transitioning is mediocre. This does not make for a good film. When the film is simply bad for the first two acts, it can't just make up for it with a good third act, which sucks because the third act was actually not too bad. The entire path of redemption message is interesting, but we've seen it done before, and with much better characters to say the least, but of course, this isn't saying that the path to redemption is bad to watch, but it is still bland and has been done multiple times before. It was nice to see Bill Long become a semi-decent human being at the end of the film, because he realizes he has to now actually care for his son, Stu, but it doesn't really redeem him as a character within the film's boundaries. Also, Bill's character is an absolute D-bag throughout most of the film, so it makes it extremely hard to like him as a character by the end of the film . . . but, boy, if seeing that final dance with his wife wasn't something. . . . Forgiveness is really what's at the core of "Father Stu", but I've already covered that previously. What I'm trying to talk about here is how almost all the characters have something they want to be forgiven for. Bill & Kathleen Long do seem to regret their choices that brought them to this point in their lives, and it's clear that they regret whatever tore them apart. As for Stu, he wants to be forgiven for everything. He regrets just about everything he's done in his life up to this point. The sad part about it is: There's just too much that Stu's done for the audience to really forgive him completely, although it is terrible what happened to him. In my eyes, "Father Stu" isn't absolutely terrible, and I do think that it's mediocre at best by the end of the day. The third act is very well done, but because of all the other stuff beforehand it leaves a bad taste in my mouth. I think people should check this one out if they're interested, but other than that, just leave it be. Ultimately, "Father Stu" is a hard thumbs down for me.
Mark Wahlberg is competent here as the eponymous boxer who takes a shine to the young church-going Carmen (Teresa Ruiz). He can't get near her, so he somewhat opportunistically decides to join her church and see if that helps. Thing is, pretty quickly he discovers that there is something to this "God" thing, and decides to try and get himself ordained for the priesthood - leaving all thoughts of the girl behind. Meantime, he discovers that he is suffering from a degenerative disease that will prove debilitating as he ages. It's one of those inspirational stories this, but I just didn't particularly like or empathise with "Stu". I found his profound and fairly sudden Damascine conversion hardly explained in the context of the film and except for a few decent contributions from the always reliable Jacki Weaver (his mother) the rest of this was all a bit lacking in substance. I never felt like I knew what made this man tick! It is nice to see Malcom McDowell back on the screen, and Mel Gibson is perfectly adequate as his rather indifferent father - but sadly, this whole film is a just another, sometimes touching, biopic of one man of many who live to inspire through their church (or not) whilst facing adversities and trials that trouble many people. It is watchable, but I'm afraid equally forgettable.
Fletcher Christian successfully leads a revolt against the ruthless Captain Bligh on the HMS Bounty. However, Bligh returns one year later, hell bent on revenge.
Based on the true story of a Russian serial killer who, over many years, claimed victim to over 50 people. His victims were mostly under the age of 17. In what was then a communists state, the police investigations were hampered by bureaucracy, incompetence and those in power. The story is told from the viewpoint of the detective in charge of the case.
Herbert Stempel's transformation into an unexpected television personality unfolds as he secures victory on the cherished American game show, 'Twenty-One.' However, when the show introduces the highly skilled contestant Charles Van Doren to replace Stempel, it compels Stempel to let out his frustrations and call out the show as rigged. Lawyer Richard Goodwin steps in and attempts to uncover the orchestrated deception behind the scenes.
For ten years, engineer Bill Markham has searched tirelessly for his son Tommy who disappeared from the edge of the Brazilian rainforest. Miraculously, he finds the boy living among the reclusive Amazon tribe who adopted him. And that's when Bill's adventure truly begins. For his son is now a grown tribesman who moves skillfully through this beautiful-but-dangerous terrain, fearful only of those who would exploit it. And as Bill attempts to "rescue" him from the savagery of the untamed jungle, Tommy challenges Bill's idea of true civilization and his notions about who needs rescuing.
France, 1914, during World War I. On Christmas Eve, an extraordinary event takes place in the bloody no man's land that the French and the Scots dispute with the Germans…
A film depicting the story of Yokota Megumi who was abducted by North Korean agents in 1977.
Its All Gone Pete Tong is a comedy following the tragic life of the legendary Frankie Wilde. The story takes us through Frankie's life from being one of the best DJs alive, through a subsequent battle with a hearing disorder, culminating in his mysterious disappearance from the scene.
On the rocky path to sobriety after a life-changing accident, John Callahan discovers the healing power of art, willing his injured hands into drawing hilarious, often controversial cartoons, which bring him a new lease on life.
Based on true events, "Nitram" lives with his parents in suburban Australia in the mid-90s. He lives a life of isolation and frustration at never fitting in. As his anger grows, he begins a slow descent into a nightmare that culminates in the most heinous of acts.