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Let me start off by saying that I completely understand all of the hate this film is getting, and that's because for the first half of the film I hated it too. For too much of this film, a lot of the characters are just unlikable slobs . . . especially Mel Gibson's character of Bill Long. Also, the story plays out . . . well, it plays out terribly for the first half of the film. It wasn't until later in the film when Stuart Long decides to become a preacher that I was actually invested, and why's that? That's because Long was an absolute piece of trash that I didn't want to watch for the first half of the film. This does not go without saying that by the end I liked Stuart Long's character in the film, but I couldn't like him for the first half. The film isn't precisely terrible, but it isn't good. The third act is solid, but everything in the first act is bad, and the second where Stu is transitioning is mediocre. This does not make for a good film. When the film is simply bad for the first two acts, it can't just make up for it with a good third act, which sucks because the third act was actually not too bad. The entire path of redemption message is interesting, but we've seen it done before, and with much better characters to say the least, but of course, this isn't saying that the path to redemption is bad to watch, but it is still bland and has been done multiple times before. It was nice to see Bill Long become a semi-decent human being at the end of the film, because he realizes he has to now actually care for his son, Stu, but it doesn't really redeem him as a character within the film's boundaries. Also, Bill's character is an absolute D-bag throughout most of the film, so it makes it extremely hard to like him as a character by the end of the film . . . but, boy, if seeing that final dance with his wife wasn't something. . . . Forgiveness is really what's at the core of "Father Stu", but I've already covered that previously. What I'm trying to talk about here is how almost all the characters have something they want to be forgiven for. Bill & Kathleen Long do seem to regret their choices that brought them to this point in their lives, and it's clear that they regret whatever tore them apart. As for Stu, he wants to be forgiven for everything. He regrets just about everything he's done in his life up to this point. The sad part about it is: There's just too much that Stu's done for the audience to really forgive him completely, although it is terrible what happened to him. In my eyes, "Father Stu" isn't absolutely terrible, and I do think that it's mediocre at best by the end of the day. The third act is very well done, but because of all the other stuff beforehand it leaves a bad taste in my mouth. I think people should check this one out if they're interested, but other than that, just leave it be. Ultimately, "Father Stu" is a hard thumbs down for me.
Mark Wahlberg is competent here as the eponymous boxer who takes a shine to the young church-going Carmen (Teresa Ruiz). He can't get near her, so he somewhat opportunistically decides to join her church and see if that helps. Thing is, pretty quickly he discovers that there is something to this "God" thing, and decides to try and get himself ordained for the priesthood - leaving all thoughts of the girl behind. Meantime, he discovers that he is suffering from a degenerative disease that will prove debilitating as he ages. It's one of those inspirational stories this, but I just didn't particularly like or empathise with "Stu". I found his profound and fairly sudden Damascine conversion hardly explained in the context of the film and except for a few decent contributions from the always reliable Jacki Weaver (his mother) the rest of this was all a bit lacking in substance. I never felt like I knew what made this man tick! It is nice to see Malcom McDowell back on the screen, and Mel Gibson is perfectly adequate as his rather indifferent father - but sadly, this whole film is a just another, sometimes touching, biopic of one man of many who live to inspire through their church (or not) whilst facing adversities and trials that trouble many people. It is watchable, but I'm afraid equally forgettable.
Peter Wilcox, as skipper of the 'Rainbow Warrior', a Greenpeace ship, docks in Auckland, July 1985, preparing for a protest against French nuclear testing in the south pacific. When a bomb rips open the vessel, killing a crew member, he must convince the police superintendent that this is an act of terrorism. Determined not to allow outside forces to threaten their harbor, the police embark on a pursuit of the persons responsible. The events that follow nearly bring down an allied nation's government.
Based on true events. On the edges of Las Vegas, 17-year-old Andrew's life is spiraling out of control. Unable to cope with the loss of his father, Andrew's descent into drugs and violence is gaining momentum, and the once promising young man is now headed for self-destruction. Andrew's mother, helpless to control her son and fighting an addiction of her own, refuses to watch idly as her only child destroys himself. As a last resort, she hires a private company to forcibly kidnap and confine him in a locked-down and corrupt psychiatric hospital. As Andrew is subjected to the secret physical and emotional abuses of the program something inside him is re-awakened. He must somehow get free to save what's left of his life, but to do that, he knows he must first face his own demons head-on.
Cleveland 'Stack' Stackhouse is a guard with the Texas Correctional Youth Authority who witnesses the cycle of destructive choices and racial tensions among female teen offenders and decides to do something about it. He gathers African-American, Latina and Caucasian teens, and organizes a multi-racial track team behind the bars of the prison. Participation in Stack's track team not only breaks down the racial divides between the girls, but puts them on a path to turn their lives around.
Based on true accounts, the superficial lines between subject and bystander are blurred and bound together, allowing individuals to walk in a vast space and thoroughly live a fragment of the refugees' personal journeys.
In 1908, eighth grader Alma Richards quits school to work as a ranch hand. A chance meeting with a professor motivates him to resume his education, leading him to compete in high jump at the Stockholm Olympics and win a gold medal.
Pyar Vali Love Story presents two parallel stories. The first one is between a Garage owner Pashyabhai in a chawl and a street-smart and blunt girl Nandini, living in the chawl. When their marriage takes place, Pashyabhai's younger brother Amar arrives in the chawl and then begins another love story between Amar and Aliya, a muslim girl living in the neighbourhood. Aliya's brother Kadar who is also good friend of Pashyabhai, fixes the marriage of his sister with Inspector Alam. When Kadar comes to know about his sister's relationship with Amar, he warns him and even beats him. In the meanwhile, communal riots break out and Inspector Alam is killed. Kadar suspects Amar and vows to take the revenge. Amar and Aliya who are intensely in love, manage to run away from the scene.
Teenager, Clare Steves, is kidnapped by an old boyfriend, Eddie Spencer, who demands $250,000. The ransom is paid and Clare is released, but when the kidnapers are caught, they claim that the whole scheme was Clare's idea as a way to punish her father. She denies it and is put on trial.
An aged Charlie Chaplin narrates his life to his autobiography's editor, including his rise to wealth and comedic fame from poverty, his turbulent personal life and his run-ins with the FBI.
Movie despicting the life and accomplishments of Korean Admiral Yi Sun Shin.
In this true story, Veronica Guerin is an investigative reporter for an Irish newspaper. As the drug trade begins to bleed into the mainstream, Guerin decides to take on and expose those responsible. Beginning at the bottom with addicts, Guerin then gets in touch with John Traynor, a paranoid informant. Not without some prodding, Traynor leads her to John Gilligan, the ruthless head of the operation, who does not take kindly to Guerin's nosing.
The true story of Dr. Hunter "Patch" Adams, who in the 1970s found that humor is the best medicine, and was willing to do just anything to make his patients laugh—even if it meant risking his own career.
